Home » Jazz Articles » Album Review » Goldbug: Naacal

Goldbug: Naacal

By Geno Thackara
March 25, 2018
View read count

When thinking of ancient civilizations, it's natural to start with, say, Sumerians or Egyptians. The Naacal aren't exactly first to leap to mind—not least because nobody knows if they actually existed. There was a certain amount of creative license in the earliest writings about pre-Mayan people in Central America and the lost continent of Mu.

Barry Meehan

bass

" data-original-title="" title="">Barry Meehan finds the idea fascinating all the same, though, and those musings provide a central textural theme for this improvisational electric-acid-avant-jazz outfit on their exciting second outing.

That's not really to say it's a musical throwback. Naacal is unmistakably a present-day endeavor—

Tim Motzer

guitar

" data-original-title="" title="">Tim Motzer's guitars wail with all the tones, effects and voltage of a particularly weird Krautrock outfit. The affair is sprinkled with samples and sound effects in the experimental tradition of recent decades. Meehan's slinky electric bass would be at home in a jungle-trance outfit or

Bill Laswell

bass
b.1955

" data-original-title="" title="">Bill Laswell collective. Still, some exotic scales give the melodies an interesting old-world edge, while the quartet uses their instruments and found sounds to create an earthy vibe with a feel of great age and mystery.

Where the tracks were often spliced and diced into a bewitching murky soup on The Seven Dreams (1k, 2010), this release features more of the quartet's improvisations from buildup to crescendo. Or rather, trio-plus-one improvs might be the proper description—Meehan, Motzer and frisky rhythm-slinger Eric Slick held their sessions jamming as a power trio before

Theo Travis

saxophone

" data-original-title="" title="">Theo Travis (based in the UK) added his reed parts later. Nonetheless it still features a sparkling chemistry, if in an unusual way: the others give him plenty of space with interesting things to respond to, and his contributions are never less than inspired.

Dynamics patiently build and crest through gripping extended blows such as "UNXP" or "Source Code," while other spots may coast on abstract ambience or subtler motifs that recede without revealing all their secrets. You can't pin it down to rock, jazz, world-beat, or whatever imaginary musical forms mythic peoples might have had in prehistoric times. Naacal is a journey of the mind that touches on all those things and spins them into something one of a kind.

Learn more about our star rating system

Track Listing

Re-Entry; UNXP (Unexplained Phenomena); Time Fears the Pyramids; The Valley of the Kings; Exile; Source Code; The Labyrinth; Collossus; Monolith (Embracing the Sea).

Personnel

Goldbug

Tim Motzer: baritone guitar, piano, Hammond organ, Moog Voyager, electronics, laptop, field recordings, voice; Theo Travis: saxophone, flute; Barry Meehan: bass, voice, additional guitar, microphone; Eric Slick: drums, percussion, contact mic, Kaos pad, voice; Dejha Ti: voice.

Album information

Title: Naacal | Year Released: 2017 | Record Label: 1K Recordings

PREVIOUS / NEXT

Public Access / Headline / Crossings
< Previous

Frames & Terrains
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.