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Enrico Pieranunzi: New Spring - Live At The Village Vanguard

By Budd Kopman
November 8, 2016
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Enrico Pieranunzi: New Spring - Live At The Village Vanguard

Pianist

Enrico Pieranunzi

piano
b.1949

" data-original-title="" title="">Enrico Pieranunzi's latest offering, New Spring —Live At The Village Vanguard ties together, in different ways, two previous CAM Jazz releases. The most recent is the studio album Proximity featuring saxophonist

Donny McCaslin

saxophone, tenor
b.1966

" data-original-title="" title="">Donny McCaslin (who also plays in the live album) in a bass-less quartet. The earlier album is Live At The Village Vanguard with drummer

Paul Motian

drums
1931 - 2011

" data-original-title="" title="">Paul Motian and bassist

Marc Johnson

bass
b.1953

" data-original-title="" title="">Marc Johnson, and is one of Motian's last recordings before his death.

Thus, New Spring, recorded over two nights in April, 2015 (in the 80th anniversary year of the club), closes a circle for Pieranunzi, who is the only Italian to have played three times as a leader at the Vanguard, while he continues to explore new vistas with American jazz musicians.

Needless to say, there is always something special about a well-recorded live jazz album, and this album most definitely has that exciting sense of participating in the in-the-moment creation of fantastic music, as audience applause can be heard after solos and the end of a tune.

These tunes are mostly originals by Pieranunzi, with one by bassist

Scott Colley

bass
b.1963

" data-original-title="" title="">Scott Colley and one standard, "I Hear A Rhapsody" (see this version by

John Coltrane

saxophone
1926 - 1967

" data-original-title="" title="">John Coltrane on Lush Life (Prestige, 1961)), which is given a marvelously unorthodox treatment.

Pieranunzi's musical world embraces American jazz that is deeply colored by the lushness of Italian Romanticism along with tonalities and voicings of classical Impressionist composers channeled through his embrace of

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans. Each track has a grand architectural feel with a good dose of drama added, while the structure of his tunes lend themselves to the extended treatment that fits naturally with the group.

Pieranunzi obviously likes McCaslin's tone, which is slightly on the acidic side and acts as a contrast to Pieranunzi's lushness. Within the structure of the tune, McCaslin plays with freedom and drive, which is supported and enhanced by

Clarence Penn

drums
b.1968

" data-original-title="" title="">Clarence Penn's dynamic drumming and Colley's pulsing, melodic base, but also by Pieranunzi always interesting accompaniment.

What is particularly interesting is that while this music is solidly in the mainstream, it sounds very fresh, and not a little experimental somehow. The quartet is extremely tight, playing as a unit, while each individual's part is clear and distinct, and yet the feel of taking chances is very strong.

New Spring rises above any stylistic labels, becoming "pure" jazz that is distinctly Pieranunzi and completely engrossing.

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Track Listing

Amsterdam Avenue; New Spring; Out Of The Void; Permutation; Loveward; I Hear A Rhapsody; The Waver.

Personnel

Enrico Pieranunzi

piano

Enrico Pieranunzi: piano; Donny McCaslin: tenor saxophone; Scott Colley: bass; Clarence Penn: drums.

Album information

Title: New Spring - Live At The Village Vanguard | Year Released: 2016 | Record Label: CAM Jazz

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