This week on Riverwalk Jazz, acouistic guitarist 
Hot Club Of San Francisco On Riverwalk Jazz This Week
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data-original-title="" title="">Paul Mehling and the Hot Club of San Francisco join The 
Jim Cullum Jr.
cornetb.1941
Django Reinhardt
guitar1910 - 1953
The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website.
Think of 20th century guitar greats—
Charlie Christian
guitar, electric1916 - 1942
Bucky Pizzarelli
guitar1926 - 2020
Les Paul
guitar, electric1915 - 2009
Django Reinhardt took Paris by storm in the 1930s—and his intoxicating music continues to delight the world. Demonstrating how up-to-the-minute Django’s music remains today, Apple founder Steve Jobs used one of Django’s Gypsy Swing tunes to demo his company’s hot, new device, the iPad.
They say music and applause floated up on the damp night air from the village inn to the gypsy caravan where Django Reinhardt was born in the dead of winter 1910. Django’s mother gave birth alone in the family caravan, camped in rural Belgium while his father put on a show in a nearby village with his traveling troupe.
Shaped by Romany culture, Django was schooled in the fine arts of “trout tickling," “chicken thieving" and music. At 13 he began playing his banjo in ‘musette’ ensembles in Paris. His life changed when he heard the violin-guitar duo of Joe Venuti and Eddie Lang on tour in Paris—and fell in love with American jazz.
Django Reinhardt would develop his own powerful voice in jazz, all the more impressive because of the handicap he suffered when a caravan fire crippled his left hand—leaving him with only two fingers to play the notes on the fingerboard. Even with this major limitation, he developed a stunning technique and a ringing acoustic tone.
Jazz writer Gary Giddins credited Django as one of the rare “prime movers…who decisively changed the way jazz is played.” Jean Cocteau described his playing as a “guitar with a human voice." And in a 1954 interview, Django’s violinist partner Stéphane Grappelli said, “He did more for the guitar than any other man in jazz…and jazz is different because of him.”
The phenomenon of the Quintette of the Hot Club of France began with an impromptu jam session behind the bandstand at the posh Claridge Hotel in Paris. Both Stephane Grappelli and Django Reinhardt happened to be booked in the same dance orchestra. Jazz was strictly underground music at that time in Paris. Few self-respecting musicians let it be known they liked to play jazz.
One night Grappelli overheard Django playing “hot licks" backstage while tuning up his guitar. The violinist jumped in—and soon a rhythm guitarist and bassist got into the act too. It was a novel sound—"hot jazz" based on strings instead of horns. Word began to spread. A group of jazz enthusiasts known as the “Hot Club of France" took up their cause and started to promote Reinhardt’s and Grappelli’s music. The Quintette of the Hot Club of France was enormously successful throughout France and Great Britain in the '30s. After the war Django toured America with Duke Ellington and became interested in “modern" post-war jazz, also known as “bebop” .
Django's improvisational genius and advanced harmonies have been captured on (by some estimates) nearly 1,000 recordings—nearly all of which are readily available today on CD reissues.
Today, this sound, referred to as “Jazz Manouche” or Gypsy Jazz, is the inspiration for “Hot Club” groups playing around the world—in New York, San Francisco, Britain, Norway and elsewhere. Our special guest Paul Mehling hails from the SF Bay Area and has been called “the Godfather of American Gypsy Jazz.”
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