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Nilson Matta: Nilson Matta's Black Orpheus

By Dan Bilawsky
February 19, 2013
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Nilson Matta: Nilson Matta's Black Orpheus

The story of Orpheus and Eurydice has been told and retold in various mediums and manners throughout the ages. Claudio Monteverdi used opera as his means of transmitting the tale, alt-rocker Nick Cave tackled it head-on in song and author Neil Gaiman revisited the story in comic book format, but the list doesn't stop there; any decent rundown of Orpheus remakes has to include Brazil's two most famous contributions: the play Orfeu da Concei??o and its subsequent film offspring, Black Orpheus (Dispat Films, 1959).

These works set the story during the time of Carnaval in Rio de Janeiro and feature some of the finest Brazilian compositions to come out of the mid-twentieth century.

Antonio Carlos Jobim

piano
1927 - 1994

" data-original-title="" title="">Antonio Carlos Jobim and

Luiz Bonfa

guitar, acoustic
1922 - 2001

" data-original-title="" title="">Luiz Bonfa each wrote some timeless songs to fit the story and set things in motion for the Brazilian music boom that would sweep America in the early '60s.

Bassist Nilson Matta, like many a musician-to-be at the time, was completely taken with the music connected to these projects and he longed to record pieces from both the play and the movie; he's now accomplished his mission. Matta assembled a rotating to-die-for cast including pianist

Kenny Barron

piano
b.1943

" data-original-title="" title="">Kenny Barron, clarinetist

Anat Cohen

clarinet
b.1975

" data-original-title="" title="">Anat Cohen, trumpeter

Randy Brecker

trumpet
b.1945

" data-original-title="" title="">Randy Brecker, and vocalists

Leny Andrade

b.1943

" data-original-title="" title="">Leny Andrade and

Gretchen Parlato

vocals

" data-original-title="" title="">Gretchen Parlato, to rework this music to his liking in various settings and manners.

Short interludes serve as palette cleansers and transitional devices to connect fully fleshed out works that really deserve a listener's undivided attention. Each of Matta's fully realized performances allow a different element of sophistication to come into focus. Jobim's "Overture," for example, mixes the prim-and-proper with the passionate-and-pure, thanks in part to Laura Metcalf's cello, while Bonfa's better-known "Samba De Orfeu" feeds off of the energy provided by clarinet queen

Anat Cohen

clarinet
b.1975

" data-original-title="" title="">Anat Cohen. Both of Parlato's appearances prove to be pure magic and other highlights include "O Nosso Amor," which features Brecker out front, and "Manh? Da Carnaval," which matches Barron up with Matta and drummer

Alexander Kautz

" data-original-title="" title="">Alexander Kautz.

Honorable mentions go to flautist

Anne Drummond

flute

" data-original-title="" title="">Anne Drummond, who rarely gets the attention she deserves in the jazz press, guitarist

Guilherme Monteiro

guitar
b.1971

" data-original-title="" title="">Guilherme Monteiro, who adds color and rhythmic zest to every setting he appears in, and pianist

Klaus Mueller

piano

" data-original-title="" title="">Klaus Mueller, who turns in some excellent performances and contributes a few notable arrangements. Matta's work simultaneously lives up to the spirit of the original interpretations of this music and the notion of artistic rebirth that has long surrounded this story; kudos to this bassist-cum-conceptualist.

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Track Listing

Overture; Repinique Interlude; Samba De Orfeu; A Felicidade; Cuica Interlude; O Nosso Amor; Manha De Carnaval; Batacuda I; Eu E O Meu Amor/Lamento No Morro; Frevo De Orfeu; Valsa De Euridice; Ascend, My Love; Um Nome De Mulher; Batacuda II; Se Todos Fossem Iguais A Voce; Violao Interlude; Hugs And Kisses.

Personnel

Nilson Matta

bass, acoustic

Nilson Matta: bass; Randy Brecker: trumpet (1, 6, 17); Anne Drummond: flute (1, 9, 11, 17); Laura Metcalf: cello (1); Guilherme Monteiro: guitar (1, 3, 4, 6, 9-11, 13, 16, 17); Klaus Mueller: piano (1, 6, 9, 11-13); Alex Kautz: drums (1, 3, 6, 7, 9-11, 13, 17); Reinaldo Silva: percussion (2, 8, 14, 17); Anat Cohen: clarinet (3, 10, 13); Kenny Barron: piano (3, 7, 10); Fernando Saci: percussion (3,5, 8-10, 12-14, 17); Leny Andrade: vocals (4, 15); Alfredo Cardim: piano (4, 15); Erivelton Silva: drums (4, 15); Jorjao Silva: percussion (8, 14, 17).

Album information

Title: Nilson Matta's Black Orpheus | Year Released: 2013 | Record Label: Motema Music

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