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Juan Pablo Carletti / Tony Malaby / Christopher Hoffman: Ni?o/Brujo
ByJuan Pablo Carletti
drumsb.1973

Tony Malaby
saxophone, tenor
Mark Helias
bass
Christopher Hoffman
cellob.1978

Henry Threadgill
woodwindsb.1944
For a drummer helmed leadership date, Carletti keeps a remarkably low profile. That's compounded by a cool school vibe to some of the tracks such as "Miranda" and "Ballerina," where even Malaby's overblown distortions sound restrained. Although the themes are not overly memorable, they serve well their prime purpose to launch the three musicians into the improvisational space. Attention to detail is evident in how often the theme restatements at the end of a piece are subtly different from how they started off. Carletti has taken a variety of approaches across the seven cuts, but all are distinguished by the close knit interplay. That's most obvious on the involved "Lateral Thinking" the longest selection which links a series of discrete episodes.
As ever Malaby makes full use of tonal ambiguity, vocalized effects and split tones to extend his emotional impact. Hoffman proves adept with the bow, when his poised arco provides acerbic counterpoint to the saxophonist's ruminations, while his pizzicato is both nimble and melodic. Carletti shows himself to be a tuneful drummer, in the lineage of

Ed Blackwell
drums1929 - 1992

Max Roach
drums1925 - 2007
Highlights include "Orange" which after a solo cello introduction builds, via a spacey interlude of breaths, sudden string flurries and cymbal splashes and sustained notes, into a passage of rough sawing vying with tenor skronk over roiling drums. It doesn't end there, as Carletti reiterates the tune via Malaby's perky tenor with a countermelody from Hoffman's bowed cello. As a change of pace, the succeeding "José" acts as a cooling balm, as mournful saxophone and cello intermingle in slow motion atmospherics. The concluding section of "Lateral Thinking" constitutes another peak with spirited tenor grit rubbing up against cello abrasions over an abstracted funk beat from the leader. Carletti has created a strong platform and the next entry in his discography should be eagerly awaited. ">
Track Listing
Miranda; Ballerina; Orange; José; Folkus; Lateral Thinking (for Edward DeBono); El Brujo.
Personnel
Juan Pablo Carletti
drumsTony Malaby: tenor saxophone; Christopher Hoffman: cello; Juan Pablo Carletti: drums, glockenspiel, melodica, compositions.
Album information
Title: Ni?o/Brujo | Year Released: 2015 | Record Label: NoBusiness Records
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