Home » Jazz Articles » Live Review » North Sea Jazz Festival, July 8-10, 2011
North Sea Jazz Festival, July 8-10, 2011

July 8-10, 2011
Ahoy
Rotterdam, The Netherlands
The North Sea Jazz Festival in the Netherlands is staggering in size, touted as the world's largest indoor jazz festival and that's certainly a good bet. With 13 stages running from late afternoon until the early morning hours, it's far more than a smorgasbord. More like an avalanche, but one where the music fan happily stands at the bottom of the mountain.
Artists of all statures perform, from the biggest names to up-and-coming artists. It's alsolike most jazz festivals these daysone in which pop, soul and rock acts augment the schedule to make the event more of a draw to general music fans.
The 2011 edition, in the city of Rotterdam, was one in where you could see someone like Ntjam Rosie, a Rotterdam resident who's been working on her sound that combines pop, world music, R&B and jazz harmonies at times. It was a soulful, energetic mélange that could spring the young singer/composer to fame beyond Europe. She was cool and confident, yet humble. Eager to make her own music and bring it to the world.
And it was also a festival where one of the world's best jazz musicians, saxophonist

Joe Lovano
drumsb.1952

There were aspiring stars, established stars and everything in between. Holland's own

Tineke Postma
saxophone, altob.1978
Good festivals always have surprises and North Sea had plenty. Among them: finding

Pharoah Sanders
saxophone, tenor1940 - 2022

Robert Glasper
pianob.1978

Michel Portal
clarinet, bassb.1935

Ambrose Akinmusire
trumpetb.1982

Harish Raghavan
bass
Nasheet Waits
drumsb.1971

Chris Lightcap
bassb.1971

Tony Malaby
saxophone, tenor
Chris Cheek
saxophoneb.1968

Craig Taborn
pianob.1970
Non-jazz acts included Prince, who played all three nights (actually starting in the wee hours and going on from there),

Paul Simon
composer / conductorb.1941

Bootsy Collins
bass, electricb.1951

Tom Jones
woodwindsb.1952

Chaka Khan
vocalsBut the jazz was plentiful and often brilliant, and the acts stood together, side-by-side. One couldn't possibly see everything in the incredible Ahoy venue. So jazz fans had to miss fine groups, but what a person could fit into the weekend was great stuff. People had to go away satisfied with the amount of stellar music they could engulf in an evening. The audiences that went to the jazz rooms appreciated every nuance. They stayed tuned in to

Tom Harrell
trumpetb.1946

Dave Holland
bassb.1946

John Surman
saxophoneb.1944

John Escreet
pianob.1984

Tyshawn Sorey
drumsb.1980
Rotterdam is a great host city for the event. It may not dazzle as some cities, but it is very friendly, which is perfect for an event that attracts 70,000 people. It's also easy to get around, rich in arts and culture, and delightfully laid back. It's a multicultural city that is a great backdrop for the giant-sized festival that grabs all the attention for a few days.
The festival can be a whirlwind, where one can pick their spots and enjoy, or portions of sets can be caught before scooting off to others. In this case, it was quite often the latter approach.
Day One
The Ahoy venue was shaking with music from the onset.

Ahmad Jamal
piano1930 - 2023

Esperanza Spalding
bassb.1984

Yuri Honing
saxophone, tenor
Wolfert Brederode
pianoThere were many melodic riffs, even a sensuality to the music. Even when the tempo picked up, Honing didn't seem to have more than a third gear. The group built tension with phrasing and the use of space between musical conversations.
On the same stage, Lovano's US Five was the opposite with Lovano starting a darting, aggressive unaccompanied tenor sax statement. As the rest of the group jumped in, Lovano was off, exchanging lines with drummers Francisco Mela and Otis Brown III on a bebop adventure based on

Charlie Parker
saxophone, alto1920 - 1955

Sonny Rollins
saxophoneb.1930

James Weidman
pianob.1953
As B.B. King was winding down a perfunctory set that has become more show biz and less raw blues ("You are My Sunshine?" Really?),

Kneebody
band / ensemble / orchestra
Mostly Other People Do the Killing
band / ensemble / orchestraPropelled by Nate Wood's crashing drums and Kaveh Rastegar's fat, steady bass, trumpeter

Shane Endsley
trumpetIt made

Chucho Valdes
pianob.1941

Pharoah Sanders
saxophone, tenor1940 - 2022

John Coltrane
saxophone1926 - 1967

Derrick Hodge
bassb.1979
Day Two
Ntjam Rosie led a larger band with backup singers, doing songs from her new self- produced CD Elle (2011), including "Roof Over My Heart" and "Morning Glow." The Cameroon native is charming as well as strong on stage, has a alluring way with rhythm and harmony that blends into a style she is carving out for herself.


John McLaughlin
guitarb.1942

Etienne Mbappe
bass
Ranjit Barot
drums
Gary Husband
drumsb.1960
For non-jazz acts, the Tedeschi-Trucks Band

Susan Tedeschi
vocals
Derek Trucks
guitar
Maurice Brown
trumpetb.1981
They did a flurry of tunes from their new CD Revelator (Sony Masterworks, 2011), and all of them hit the mark, led by Trucks' soaring guitar work. Tedeschi, a strong blues player before she met Trucks (who is now her husband), also got off a virtuoso blues solo that would have made

Buddy Guy
guitar, electricb.1936

Herbie Hancock
pianob.1940

John Scofield
guitarb.1951

Mulgrew Miller
piano1955 - 2013

Scott Colley
bassb.1963

Bill Stewart
drumsb.1966

Kurt Elling
vocalsb.1967

Jon Hendricks
vocals1921 - 2017

Al Jarreau
vocals1940 - 2017

Vince Mendoza
composer / conductorb.1961

Frank Sinatra
vocals1915 - 1998
Day Three
Jan Akkerman, another Dutch musician, plays a fusion type of guitar that touches jazz, pop and rock genres. He had a nice sound and played over a backbeat, using space and ethereal runs to evoke a certain mood.

Eric Vloeimans
trumpet
Benjamin Herman
saxophone
It was a pleasure to hear part of the set by Fay Claassen with the renowned WDR Big Band, which featured arrangements, and was conducted, by the talented Michael Abene. Claassen was in great voice, influences of

Anita O'Day
vocals1919 - 2006
Veteran

Barry Harris
piano1929 - 2021

Ray Drummond
bassb.1946

Leroy Williams
drums1937 - 2022

Dexter Gordon
saxophone, tenor1923 - 1990

Thelonious Monk
piano1917 - 1982

Stevie Wonder
vocalsb.1950
Tom Harrell continues to play some of the most melodically imaginative trumpet around, and was in good form.

Wayne Escoffery
saxophone, tenorb.1975
Waiting for a Miles Davis Tribute Band made it necessary to miss people like

Eddie Palmieri
piano1936 - 2025

Gary Burton
vibraphoneb.1943
Her stories on sax were bright and expressive as she wove through her fine compositions, like the ballad "Before the snow," which was a highlight. Her playing could be serene or hot, and she's already found a strong voice within the combination of it all. There was strong group interplay throughout the set, decorated by the occasional individual statements.
Rotterdam can be justly proud of the North Sea Jazz festival and the way it puts on display so much of what jazz is and what it is becoming. Sure, there is a lot of outstanding music that a person just can't get to because of the sheer volume. But it's also impossible to go without seeing vital, interesting, important music. And fun music too.
Photo Credit
All Photos: Courtesy of North Sea Jazz
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De PletterijHaarlem, Netherlands

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FruitvisRotterdam, Netherlands
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