Home » Jazz Articles » Catching Up With » Oteil Burbridge: Profile of a Folk Jazz Player
Oteil Burbridge: Profile of a Folk Jazz Player

Jaco didn’t consider himself a jazz bassist, he was a punk jazzer. I think I’m a folk jazz player.
Oteil Burbridge
Like most generation x-ers, I grew up with a lionized version of the 70's and the music that grew out of the Vietnam war era. The myth that

Jimi Hendrix
guitar, electric1942 - 1970

Allman Brothers Band
band / ensemble / orchestra
Gregg Allman
organ, Hammond B31947 - 2017

Duane Allman
guitar1946 - 1971

Warren Haynes
guitarb.1960

Derek Trucks
guitar
Tedeschi Trucks Band
band / ensemble / orchestra
Susan Tedeschi
vocals
Oz Noy
guitar
Keith Carlock
drumsA consummate artist in several styles of American Music, Oteil Burbridge is most famous for his fifteen year contribution with The

Allman Brothers Band
band / ensemble / orchestraOB: It's probably why I'm so into folk music. I find it fascinating, cause it gives you the real story. The uncut...not the bullshit party-line story. It's the real story, it shows you somebody else's point of view and it can be enlightening. You can see where people are coming from, their motivation. I think that's why bluegrass kind of continues to capture my attention. Because, it's the music of poor people. Coal miners, and people who are getting shit on badly. They have it just as bad, in some cases worse, than people in the ghetto. We do this song called 'Coal Dust Revenge' about people having black lung, you know? Your job was gonna kill you, it was just a given."
While folk and bluegrass tend to dominate Appalachian music, the roots of southern music extend deep into the heart of America. From its conception in the delta to the migration north after the war, jazz has maintained a cultural significance through many iterations. As the music evolves, it tends to mirror popular trends while retaining a focus on improvisation. Styles such as "funk," "rock," and "gospel" are really just different branches of the family tree that grew out of the deep south.
OB: "No matter how far you dig down south, you never hit the bottom. Funk: Augusta Georgia, New Orleans. Right? And other places, but that's where that shit really starts. Blues, which gave birth to rock, and jazz. Again, New Orleans. I mean, how do you go any further back? Then you have country, bluegrass, and all kinds of gospel music. I mean Jesus, all that shit came out of there."
Often compared to

Jaco Pastorius
bass, electric1951 - 1987

Richard Bona
bass, electricb.1967

Bela Fleck
banjob.1958

Edgar Meyer
bassb.1960
States Burbridge, "Jaco didn't consider himself a jazz bassist, he was a punk jazzer. I think I'm a folk jazz player."
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz

Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
Chicago
Concert Guide | Venue Guide | Local Businesses
| More...
