Home » Jazz Articles » Album Review » lePercolateur: Pop Manouche
lePercolateur: Pop Manouche
By
Django Reinhardt
guitar1910 - 1953
The core instrumentationviolin, multiple guitars and bassimmediately points to the gypsy in lePercolateur's soul. Some energetic tunes with upbeat guitar accents and feisty violin work confirm this connection and fly by in fun fashion ("Bad Crazy Day"), but nothing flies too close to the gypsy jazz norm; the songs themselves and the presence of vocalist Candace Washburn, who injects a good amount of the "pop" into Pop Manouche, make sure of that. Middle Eastern-leaning music with a surfer undercurrent ("Two Weeks"), shuffling country-blues-pop hybrids ("Darling"), haunting instrumental meditations ("Oscura") and a whole lot more surface during this eleven song program.
While lePercolateur itself is a five person band, several guests stop by to beef-up the line-up and add some different flavors to the music. Three horn playerstrumpeter

Corey Wilkes
trumpetb.1979

Shawn Maxwell
saxophone, altob.1976
Pop Manouche presents a band that drinks from the Quintette du Hot Club de France's well, yet finds sustenance in other musical realms. This stylistic openness contributes to the success of the hybridized music that lePercolateur produces. ">
Track Listing
Bad Crazy Day; Nothing Special; Dancing In The Kitchen; All I Want Is You; Two Weeks; Goin' Out; Waiting For The End Of The World; Open Up The Door; Darling; Oscura; House.
Personnel
Marielle de Rocca-Serra: violin; Stacy McMichael: bass; Sam Random: guitar; Kevin Rush: guitar; Candace Washburn: vocals; Corey Wilkes: trumpet (2); Shawn Maxwell: tenor saxophone (2); Adam Thornburg: trombone (2); Bryan Pardo: clarionet (5); Stephen Lynerd: tambourine; Gabriel Datcu: guitar (5, 10).
Album information
Title: Pop Manouche | Year Released: 2013 | Record Label: Chicago Sessions
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz

Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
Chicago
Concert Guide | Venue Guide | Local Businesses
| More...
