" data-original-title="" title="">Kyle Nasser's background story is very interesting. Very involved in jazz from grade school through college at Harvard, he nevertheless was enrolled as an economics and political philosophy major. That is, until he heard Hank Jones give a master class and play a gig, which (making the story a bit compressed) completely changed his life's direction, convincing him that jazz was what he wanted, and needed, to do.

In 2010, after attending Berklee on a full scholarship for performance and education, Nasser moved to New York City. Restive Soul is the result of all of his life experience, including being "borderline obsessed with "traditional" uses of counterpoint, form, and large-scale harmonic progression" while at Berklee. He further states that he wanted to make the quintet "sound like an orchestra" rather than just one blowing solo after another.

Nasser's music most definitely shows his cerebral side in that it rarely swings in the "normal" sense with the group grooving all together at the same time; rather, different players sync up briefly at different times. The melodic lines have many large intervals and exposed dissonances, shifting meters constantly displace the feel of the beat, and most importantly, phrase lengths are highly irregular most of the time.

This complexity, however, does not suppress the ability of the music to tell a story. Each tune has its own vibe, with most registering on the "cool," and darker side, rather than the ecstatic (i.e. "hot") and brighter side. It is definitely late night music.

One point that must be made: each musician's work must be approached on its own terms, and not rejected or criticized because of what it is not. Nasser's music is highly emotional but filtered through a compositional style which does not hide its intellectual roots.

The band itself is very tight and keeps all wheels on the road with aplomb -they sound like a group and not a collection of soloists. Each track is carefully constructed while not sounding "composed" and each band member can be heard to operate within these compositional guidelines and yet sound spontaneous from moment to moment. Guitarist Jeff Miles (Nasser's roommate at Berklee) stands out for his overdriven guitar sound and many lines which act as a foil for Nasser's understatement.

Those who know