Home » Jazz Articles » Album Review » Sequoia: Rotations
Sequoia: Rotations
By
Benoit Delbecq
piano
Antonio Borghini
bassb.1977

Barre Phillips
bassb.1934
The four are positioned on its debut recording along a wide spectrumKneer on the far right, Kürvers on the middle right, Borghini on the middle left and Perkin on the far leftthat creates a nuanced and diverse deep-toned sound, mainly on the sonic searches pieces as "Resting Crows" and "Inside." But the sonic strategies of the quartet are versatile. The quartet creates a tight, minimalist interplay on "Birdcage," where the sound of all four forms a reserved and focused unity, or a tight sound poem on "Lifts & Accelerators," articulated by all four with their bows. The fierce usage of the bows on "Passing By" produces a series of disturbing multi-phonics and overtones.
The longest, self- titled piece investigates patiently with various extended techniques and its sonic effects, of each of the musicians and together as a quartet. This cerebral approach demands precise command and disciplined control of the double basses, but the sonic effect is arresting. The double basses remotely sound as stringed instruments but create together an ethereal industrial-electronic sound wave, interrupted occasionally by wooden percussive hammering.
Impressive experiment with a wide array of deep-toned sounds. ">
Track Listing
Resting Crows; Birdcages; Interlude I; Rotations; Interlude II; Lifts and Escalators; Inside; Passing By.
Personnel
Antonio Borghini: double bass; Meinrad Kneer: double bass; Klaus Kürvers: double bass; Miles Perkin: double bass.
Album information
Title: Rotations | Year Released: 2014 | Record Label: Evil Rabbit Records
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