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Mike Longo Trio: Sting Like A Bee

By Edward Blanco
January 2, 2010
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Pianist Mike Longo has a couple of things in common with legendary heavyweight boxer Muhammad Ali: first, they both employed the same phrase throughout their careers—"Float like a butterfly, sting like a bee"—and second,, they both deliver quite a punch, Ali with his fists and Longo on the keys. Sting Like a Bee—dedicated to Longo's father, who passed away in 2009—is Longo's follow-up to Float Like a Butterfly (Consolidated Artist Productions, 2007) and does not pull any punches, providing quite a musical wallop. Along with bassist

Bob Cranshaw

bass
1932 - 2016

" data-original-title="" title="">Bob Cranshaw and drummer

Lewis Nash

drums
b.1958

" data-original-title="" title="">Lewis Nash, the trio provides tasteful improvisational jazz, recorded live in the studio with primarily first takes and only one rehearsal. That Longo and his band mates have never performed as a trio before makes Sting Like a Bee all the more amazing.

Longo played with

Dizzy Gillespie

trumpet
1917 - 1993

" data-original-title="" title="">Dizzy Gillespie, where he evolved a playing style owing primarily to

Oscar Peterson

piano
1925 - 2007

" data-original-title="" title="">Oscar Peterson, his mentor and teacher. He pays homage to Peterson here by including "West Side Story Medley," in tribute the late pianist's West Side Story (Verve, 1962), ending the program with a tribute to Gillespie on a dark rendition of the trumpeter's "Kush." Though claiming Peterson as the main influence in his career, Longo chose not to feature any of the master's compositions for this project. Instead, the dozen-tune repertoire features several originals among a mix of covers from luminaries such as

Herbie Hancock

piano
b.1940

" data-original-title="" title="">Herbie Hancock,

Cole Porter

composer / conductor
1891 - 1964

" data-original-title="" title="">Cole Porter and Kurt Weill.

Longo's fine selection opens up with a vibrant rendition of

Wayne Shorter

saxophone
1933 - 2023

" data-original-title="" title="">Wayne Shorter's "Speak No Evil," adding a modern touch to the melody. Performing a slow motion walk on the keys, Longo plays Shorter's balladic "Dance Cadaverous" with a measure of feeling, engaging with Cranshaw's bass and Nash's steady cymbal accents. Porter's "Love for Sale," though remaining true to the melody and treated with respect, tends to overextend in length, clocking in at nine-plus minutes. There is an especially lively read of

Clifford Brown

trumpet
b.1930

" data-original-title="" title="">Clifford Brown's classic "Daahoud," where the pianist and Nash trade broadsides just like Brown and drummer

Max Roach

drums
1925 - 2007

" data-original-title="" title="">Max Roach did in their historic collaboration, Clifford Brown & Max Roach (EmArcy, 1955).

Longo explores a bit of Latin jazz by providing some heat on one of Clare Fischer's signature tunes, "Morning," featuring Nash's percussive prowess along with an infectious Latin rhythm. In quiet contrast, Longo changes direction and mellows out with the oft-recorded Weill cover, "Speak Low," performed as a slow ballad—tender and sweet. Among the originals on the disc, "Someone to Love" and "Checked Bags," both ballad-like slow burners, round out the album's light jazz theme. Longo pulls together one very fine album with Sting Like a Bee,offering sparks of brilliance and plenty of honey; that's the real buzz on this album.

Learn more about our star rating system

Track Listing

Speak No Evil; Love For Sale; Daahoud; Tell Me A Bedtime Story; Someone to Love; Westside Story Medley; Dance Cadaverous; Morning; Speak Low; Bird Seed; Checked Bags; Kush.

Personnel

Mike Longo

piano

Mike Longo: piano; Bob Cranshaw: bass; Lewis Nash.

Album information

Title: Sting Like A Bee | Year Released: 2009 | Record Label: Consolidated Artists Productions

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