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Ahmed Abdul-Malik
Born:
Bassist Ahmed Abdul-Malik was one of the first musicians to introduce Arabic music into jazz and the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute as a jazz instrument. He was born on January 30th 1927 to Sudanese parents in Brooklyn and grew up in the borough’s Arab neighborhood. According the most recent edition of the Rough Guide to Jazz he did not change his name to Ahmed Abdul-Malik in the mid- 50s but was given that name at birth. He started studying music at age 7; first violin then bass, piano and even tuba. His first jobs as a musician were when he was still a teenager and included symphony orchestras and different ethnic weddings
Jazzfestival Saalfelden 2025
by Vincenzo Roggero
Jazzfestival SaalfeldenVarious venues Land Salzburg, Austria August 21-24, 2025 One hundred and ninety artists from twenty-six countries, nearly thirty thousand attendees, eight different venues, more than sixty concerts, and a record number of tickets sold. These are just numbers, but they confirm how the Saalfelden Jazz Festival--now in its forty-fifth ...
Jazzfestival Saalfelden 2025
by Vincenzo Roggero
Jazzfestival Saalfelden 2025 Varie location 21--24 agosto 2025 Centonovanta artisti, provenienti da ventisei paesi, quasi trentamila presenze, otto location differenti, più di sessanta concerti, record di biglietti venduti. Sono solo numeri ma testimoniano come il Saalfelden Jazz Festival--giunto alla quarantacinquesima edizione--sia una rassegna che richiama spettatori da tutta Europa, sia profondamente ...
Pat Thomas: This is Trick Step
by Mark Corroto
Where to begin with the music of Pat Thomas? The London-born pianist began his journey in classical music before a televised performance by Oscar Peterson led him down the path of jazz and free improvisation. Over the past forty-plus years, Thomas has forged a singular voice in the avant-garde, contributing to groundbreaking ensembles such as the ...
Emad Armoush's Rayhan: Distilled Extractions
by Mark Corroto
Jazz and creative music have always resisted assimilation. By that, I mean jazz draws upon--or perhaps more accurately, appropriates--sounds, traditions and styles to create something entirely new. This has been true since New Orleans musicians blended Caribbean, French, African and Sicilian influences while performing on traditional marching band instruments. Over the century-plus since its inception, improvising ...
Yuhan Su + Sounds of the Middle East
by David Brown
This week we will feature a selection of music that congers of the sounds of the Middle-East though the lens of jazz. Our featured new release will be Liberated Gesture by Taiwanese vibraphonist and composer Yuhan Su. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from ...
Celebrating and Reflecting Back on Guelph Jazz Festival @ 30
by Josef Woodard
Guelph Jazz Festival Guelph Otario, Canada September 14-17, 2023 There are precious few jazz festivals in the Americas adhering to what could be called the Triple-A curatorial mandate: adventurous, avant-garde and art-centric. These special cases cling to a commercially fragile, demographically marginal--and also culturally vital--realm and mission. Such conditions make ...
Sbatax: Spires
by John Sharpe
On their third album the Swiss-French pairing of saxophonist Bertrand Denzler and drummer Antonin Gerbal dishes up a double helping of fiery free jazz. While Denzler revels in the exquisitely sparse detail of outfits such as the electro-acoustic Trio Sowari, he also has a track record in weightier realms--witness his contributions to Neuk?llner Modelle with veteran ...
Live Five Spot 1958 Revisited
Label: Ezz-thetics
Released: 2022
Track listing: Light Blue; Coming On The Hudson; Rhythm-A-Ning; Blue Monk; Evidence; Nutty; Blues Five Spot; Let's Cool One; In Walked Bud; Misterioso.
Troy Dostert's Best Releases of 2022
by Troy Dostert
Did 2022 represent a return to “normal" in the jazz world? Perhaps, although it might be more valuable to keep our eyes focused on the shifting trajectories and stylistic heterodoxies that make this music as unpredictable and surprising as ever. Releases from Steve Lehman and Eve Risser were especially noteworthy, involving pan-continental strivings that are always ...
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