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Art Blakey
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Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the Pittsburgh nightclub where he was gigging—ordered him off the piano and onto the drums. Art, then in his early teens and a budding pianist, was usurped by an equally young, Erroll Garner who, as it turned out, was as skilled at the piano as Blakey later was at the drums
Remembering Nancy King, New Releases From Colin Hancock's Jazz Hounds featuring Catherine Russell, Plus Amy Engelhardt, Dara Starr Tucker, Jennifer Madsen & More
by Mary Foster Conklin
This broadcast includes new releases from Colin Hancock's Jazz Hounds featuring Catherine Russell, Amy Engelhardt, Dara Starr Tucker and Jennifer Madsen, with birthday shoutouts to Bernice Petkere (Close Your Eyes, Lullaby of the Leaves), Terry Pollard, Iola Brubeck, Ben Sidran, Mary Stallings, Cecilia Smith, Jenny Klukken, Lenora Zenzali Helm, among others, plus a remembrance of the ...
Trio and Quintet
by C. Michael Bailey
Pianist and composer Elmo Hope has more in common with Tadd Dameron than most of his other jazz peers. Both men were primarily composers and arrangers who concentrated on their own music rather than standards. Both men spent their professional lives in New York City during the twilight of bebop and the flourishing of hard bop. ...
The Unlikely Story of Cannonball Adderley's Rise to the Top
by Alan Bryson
For me, the most gripping music stories are the tales of “overnight sensations." In the jazz sphere, we have our share. There is the story of an eighteen-year-old Billie Holiday, discovered by producer John Hammond while she was a hostess in a Harlem club. There is the tale of a seventeen-year-old Ella Fitzgerald, whose triumphant debut ...
Why Is Japan a Jazz Paradise? Part 2—From Sake to Soul: Jazz Musicians and Their Love for Japan
by Atzko Kohashi
Part 1 | Part 2 In May 2025 Japan welcomed an estimated 3.693 million visitors, marking a surge in global fascination with the country--up 125% (more than double!) compared to a decade ago. Many come for the exquisite Japanese cuisine, the tranquil atmosphere of temples and shrines, the ultra-modern buzz of Tokyo, or the ...
Dug and Jazz Spot Intro in Tokyo
by Sanford Josephson
I owe my love of jazz to the time I spent in Japan in the mid-1960s when I was working as a writer in the public information office of the American Red Cross' Far Eastern Area headquarters, located on a U.S. Army base about 45 minutes from Tokyo. While there, I saw Duke Ellington, Ella Fitzgerald, ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Chuck Mangione: Friend For Lovers
by Chris M. Slawecki
This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music “Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...
Chuck Mangione: Back On Track
by Michael Ricci
This article first appeared on All About Jazz in June 1999... without embedded videos. For three decades, Chuck Mangione's infectious energy, unbridled enthusiasm, and pure joy have defined his deep passion for music. Born and raised in Rochester, New York, he first garnered attention playing with the Jazz Brothers alongside his older brother, Gap. ...
Remembering Gigi Gryce
by Larry Slater
Saxophonist and composer Gigi Gryce was a fixture on the East Coast jazz scene in the 1950's and early 1960s, working with many of the giants of the era. A talented saxophonist known for his writing and arranging, he recorded with everyone from Clifford Brown and Donald Byrd to Art Blakey and Benny Golson. In the ...
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