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Charles Earland
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Charles Earland came into his own at the tail end of the great 1960s wave of soul-jazz organists, gaining a large following and much airplay with a series of albums for the the Prestige label. While heavily indebted to Jimmy Smith and Jimmy McGriff, Earland came armed with his own swinging, technically agile, light-textured sound on the keyboard and one of the best walking-bass pedal techniques in the business. Though not an innovative player in his field, Earland burned with the best of them when he was on. Earland actually started his musical experiences surreptitiously on his father's alto sax as a kid, and when he was in high school, he played baritone in a band that also featured fellow Philadelphians Pat Martino on guitar, Lew Tabackin on tenor, and yes, Frankie Avalon on trumpet. After playing in the Temple University band, he toured as a tenor player with McGriff for three years, became infatuated with McGriff's organ playing, and started learning the Hammond B-3 at intermission breaks. When McGriff let him go, Earland switched to the organ permanently, forming a trio with Martino and drummer Bobby Durham. He made his first recordings for Choice in 1966, then joined Lou Donaldson for two years (1968-69) and two albums before being signed as a solo artist to Prestige. Earland's first album for Prestige, 'Black Talk!', became a best-selling classic of the soul-jazz genre; a surprisingly effective cover of the Spiral Starecase's pop / rock hit 'More Today Than Yesterday' from that LP received saturation airplay on jazz radio in 1969. He recorded eight more albums for Prestige, one of which featured a young unknown Philadelphian named Grover Washington, Jr, then switched to Muse before landing contracts with Mercury and Columbia. By this time, the organ trio genre had gone into eclipse, and in the spirit of the times, Earland acquired some synthesizers and converted to pop/disco in collaboration with his wife, singer / songwriter Sheryl Kendrick. There followed a succession of successful jazz / soul / funk albums including 'Odyssey' in 1976, featuring 'Intergalactic Love Song', 'The Great Pyramid', featuring 'Driftin' and perhaps his best remembered album from this period 'Revelation', featuring the Randy Muller (Brass Construction) produced 'Let The Music Play'. He moved into the Eighties with 'Coming To You Live' featuring 'The Woman In You' and the title track. There were further CBS outings with 'Street Themes' and 'Earland's Jam'. In 1983 he released an odd twelve inch single entitled 'It's A Doggie Boogie, Baby', popular on the UK dancefloors. Sheryl Kendrick's death from sickle-cell anaemia in 1985 left Earland desolate, and he stopped playing for a while, but a gig at the Chickrick House on Chicago's South Side in the late '80's brought him out of his grief and back to the Hammond B-3. Two excellent albums in the old soul-jazz groove for Milestone followed, and the '90's found him returning to the Muse label. Earland died of heart failure on December 11th, 1999, the morning after playing a gig in Kansas City, he was 58.
Exploration by the Marcus Roberts Trio, Interview with VA Virginia Schenck re Jazz at All Saints Including Nnenna Freelon & Brandee Younger, Keyboard Jazz With Bobby Timmons, Joey DeFrancesco, Azymuth and More
by David W. Daniels
Interview with local Atlanta jazz vocalist “VA" Virginia Schenck about the Jazz At All Saints series, which will include Nnenna Freelon and Brandee Younger. End of the month keyboard special--featuring organists, pianists, Fender Rhodes and synthesizer jazz artists. Playlist Marcus Roberts Trio “Exploration"--from Time And Circumstance (Columbia) 00:00 Interview Segment #1 with VA Virginia ...
Funky Mama Show
by David Brown
This week's edition of The Jazz Continuum celebrates Mother's Day with an energetic mix of soul-jazz, jazz-funk, R&B, and groove-oriented selections. The program opens with classic organ-driven tracks from saxophonist Lou Donaldson, funk pioneers The Meters, and organist Jimmy McGriff, laying the foundation for the show's rhythmic theme. As the sound evolves into 1970s jazz-funk, selections ...
Kenny Garrett Speaks Through The Soul of His Jazz
by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
Righteous Rooster: Fowl Play
by Richard J Salvucci
Time was when organ trios were thick on the ground. They were just bluesy enough, soul-inflected and grooving enough to capture a younger audience raised on something other than swing or even bop, although there were a few hard-bop outfits too. Many fondly remember Charles Earland who covered pop hits like “Aquarius" or “More Today than ...
The Bobby Broom Organi-Sation: Jamalot
by Chris May
When Jimmy Smith brought the tablets down from the mountain, one of the commandments decreed that the job of an organ trio was to mix jazz standards with pop tunes and mash them all up into a seamless joyous brew. Guitarist Bobby Broom keeps to the original recipe on the live album Jamalot, recorded in 2014 ...
One For All: Blueslike
by C. Andrew Hovan
As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although ...
Black Gold Orchestra: Genesis
by Jack Bowers
Two years after it was formed by drummer Larry Wilson in 2021, the impressive Atlanta, Georgia-based Black Gold Orchestra has released its debut album, Genesis, a handsome medley of original compositions by Wilson and saxophonist Frank Houston complementing others by Cedar Walton, Horace Silver, Charles Earland and OutKast (a.k.a. Andre Benjamin). Even though ...
Prime Vintage: Introducing Prime Vintage
by Jack Bowers
Prime Vintage is an Indiana-based organ trio led by Steve Snyder and including guitarist Joel Tucker and drummer Kenny Phelps. Introducing Prime Vintage is the group's first recording, and a fine one it is. Seven of the album's eight engaging numbers are original compositions by Snyder; the other is Leo Nocentelli's funky “Message ...
Philadelphia Jazz
by Victor L. Schermer
Philadelphia Jazz Suzanne Cloud and Diane Turner 127 pages ISBN 978-1-4671-0784-6 Images of America Arcadia Publishing 2022 Philadelphia longs to be known as a jazz town, a city distinguished by its major contribution to the jazz legacy. There is a good ...
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