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Don Byas: Sax Expat
by Richard J Salvucci
Don Byas: Sax Expat Con Chapman 233 Pages ISBN: 9781496856081 University Press of Mississippi2025 Don Byas, a tenor saxophonist, who was regarded with great respect in his day, is, unfortunately, now not much more than a name. In part, it is because he has been gone for half a ...
Max Pollak: Tapped Into Rhythm
by Leo Sidran
Max Pollak was five years old, growing up in suburban Vienna, when he saw Fred Astaire dancing on television. He didn't understand the history. He didn't know the language. But he knew he had to do that. The rhythm, the movement, the magic of it--it spoke to him. And it sent him on a lifelong journey ...
Stéphane Mercier: Live At The Jazz Station
by Ian Patterson
A graduate of the Conservatoire Royale de Bruxelles and Berkley College of Music--where he was lead alto in Herb Pomeroy's big band--Belgian saxophonist Stéphane Mercier has been leading/co-leading groups since the mid-'90s. This live album, captured from a gig at The Jazz Station, the famous Brussels venue in whose long-standing big band Mercier sits. That chair ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Pierre Giroux
Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
Albert Ayler Trio: Prophecy Live, First Visit
by Mark Corroto
No jazz artist has been as polarizing as Albert Ayler. Listeners either revere him as a prophet or dismiss him as a charlatan. To some, his music is a divine revelation; to others, an indecipherable cacophony. But while Ayler's music was undeniably radical, he was no insurrectionist-- he was simply a true original. His sound was ...
The Vision of Raul Midón
by Leo Sidran
Raul Midón is a man who sees with sound. Blind since infancy, he has made a life--and a formidable body of work--guided by his ears, his intuition, and his insistence on carving his own path. To speak with Raul is to be reminded that perception is far more than a function of the eyes. ...
Jim Doherty: Jim Doherty's Spondance
by Ian Patterson
Jim Doherty never lacked ambition, but a suite for jazz ballet or even jazz dance was always going to be a difficult sell in '80s Ireland. All was not lost for the pianist and composer, however. A few strings pulled here and there saw Doherty and his long- term collaborator, Louis Stewart decamp to Los Angeles, ...
Rob Brown: Walkabout
by Fran Kursztejn
Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing ...
Mike Boone Friends and Family: Confirmation
by Richard J Salvucci
Sometimes, a random listener intervenes to comment on music a reviewer is working on. “Who are those guys?" with a tone that means, “I should know this right?" Well, if you happen to be from Philadelphia, shame on you. This was some kind of party, maybe a party in a church, or as bassist Mike Boone ...
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