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Chuck Redd

Chuck Redd is an internationally well-known performer on both drums and vibraphone. He began his career when he joined the Charlie Byrd Trio at the age of 21. He also became a member of the Great Guitars (Barney Kessel, Byrd, and Herb Ellis.) To his credit are 25 European tours and six tours of Japan, with the Barney Kessel Trio, Ken Peplowski and the Benny Goodman Tribute Orchestra, Terry Gibbs and Conte Candoli. Redd was featured vibraphonist with the Mel Torme All-Star Jazz Quintet from 1991 until 1996. While appearing in New York with Torme, Ira Gitler of Jazz Times said: "Redd's vibes were equally notable for vigor and melodiousness." He served as Artist-In-Residence at The Smithsonian Jazz Café in Washington, DC from 2004-2008
Peter & Will Anderson: The Best of Berlin

by Jack Bowers
Brothers Peter and Will Anderson's latest album, The Best of Berlin, has nothing to do with geography and everything to do with memorable music. The Berlin referenced here has a forename, Irving, a Berlin who happens to be one of the foremost writers of popular songs in the 20th century. Using skillfulness and style, the Anderson ...
The Attucks Jazz Club: Fall 2024

by Mark Robbins
In 2008, under the auspices of the Virginia Arts Festival and the leadership of professor/pianist John Toomey, the Attucks Jazz Series was born in the historic Attucks Theater. Before becoming a full-time jazz professor at Old Dominion University, Toomey spent time on the road with jazz trumpeter Maynard Ferguson, singers Mark Murphy, Rene Marie, and others. ...
Lionel Hampton, Terry Gibbs, Bobby Hutcherson & Warren Wolf

by Joe Dimino
On this special Christmas Day episode of Neon Jazz, we're unwrapping an hour dedicated to the true masters of the vibraphone--those incredible artists who made this instrument sing like no other. This celebration was sparked by an unforgettable performance by the brilliant Warren Wolf at The Blue Room, nestled in the historic 18th and Vine district ...
Gin

Label: Self Produced
Released: 2024
Track listing: The Jody Grind; Monaco; Blue Bells; Yesterdays; My Shining Hour; Waltz for Debby; The Gin
Suite (Gin/Bitters/Luck of the Draw); Jubilation; Geneva; The Whisperer; Quiet Now.
Tessa Souter with the Jimmy Masters Trio at the Sandler Center for the Arts

by Mark Robbins
The Miller Jazz Series began six years ago under the leadership of bassist Jimmy Masters. Held in the 135-seat Miller room of the Sandler Center for the Arts in Virginia Beach, the series has sold out every performance since its inception. The first few years of the series consisted of a different monthly themes, such as ...
Meet Ken Peplowski

by AAJ Staff
This article was first published on All About Jazz in August 1998. In numerous rave reviews, critics have exalted Ken Peplowski as the epitome of jazz traditionalism. But repeated listenings of his work reveals that Peplowski is perhaps more experimental and diverse than some have described him. It is worth noting that while Benny ...
Hi-Hats Off to The Jazz Corner on Its 25th

by Gloria Krolak
Twenty-five years ago, on March 30, 1999, Bob and Lois Masteller opened their club, The Jazz Corner, on Hilton Head Island, South Carolina. They had both enjoyed productive careers, he in human resources, she in property management. Now it was time to indulge their passion for jazz. Bob grew up with music in the house--his dad ...
Lori Williams with the Jimmy Masters Trio at the Sandler Center

by Mark Robbins
Bassist Jimmy Masters has hosted and curated the TowneBank jazz series (formerly the Miller Jazz Series) at the Sandler Center for the Performing Arts since its inception in 2017. Running from June to September, the series has offered a different theme each month played in a cabaret style setting. The 2023 season began a couple of ...
I Hear Music

By Diane Marino
Label: M&M Records
Released: 2022
Track listing: I Hear Music, Moonray, Ain't No Use, Let Me Off Uptown, You Showed Me the Way, Rock Me
To Sleep, It Could Happen To You , Detour Ahead, The Late, Late Show, I'll Close My Eyes,
When Lights Are Low, You'd Better Love Me