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Natsuki Tamura / Satoko Fujii: Ki
by Dan McClenaghan
The sound of Ki is deeply steeped in deliberation, dignity and old-world stateliness. This, coming from the long-term team of trumpeter Natsuki Tamura and pianist Satoko Fujii, might surprise those who have followed the duo's trajectory over its quarter-century-plus existence. Fujii and Tamura stir up musical pots and pans in a startling array of styles. Most ...
George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Fieldwork: Thereupon
by Dan McClenaghan
Early in his recording career, pianist Vijay Iyer formed his most compelling group, Fieldwork. The initial album release, Your Life Flashes (Pi Recordings, 2002) broke new ground and put down the roots from which everything Iyer has created in 20-plus years has grown and flourished. Iyer's recording career began in 1995 with Memorophilia (Asian ...
William Carn's Choices: The Unburdening
by Dan McClenaghan
The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...
Chad McCullough: Transverse
by Dan McClenaghan
Chance encounters can be fortuitous and fruitful. Trumpeter Chad McCullough, on a visit to Macedonia to convene with family, found his way into a small cafe in Skopje, the capital of Independent North Macedonia, where he encountered a local trio: pianist Gordon Spasovski, bassist Kiril Tufekcievski and drummer Viktor Filipovski. McCullough had his horn with him. ...
Matthew Shipp: The Cosmic Piano
by Dan McClenaghan
Pianist Matthew Shipp has a mathematical side: The Multiplication Table (hatOLOGY, 1998) and The Piano Equation (Tao Forms, 2020) hint at this. He has a metabolic side: DNA (Thirsty Ear, 1999) and Right Hemisphere (Rogueart, 2008). And he has a solar system side: Gravitational Systems (hatOLOGY, 2000) and New Orbit (Thirsty Ear, 2001). And finally, though ...
Denny Zeitlin: With a Song In My Heart: Exploring The Music of Richard Rodgers
by Dan McClenaghan
Musical memories from childhood have a way of sticking. For some, it might be an encounter with Beethoven from a dusty stack of old albums packed away in the parental record collection. For others, it might be the (then, 1954) modern surge of Bill Haley and the Comets shaking, rattling and rolling into the kitchen to ...
Michael Dease: City Life: Music of Gregg Hill
by Dan McClenaghan
Jazz trios featuring a horn, bass and drums get right to the core of musical expression. With, most commonly, a saxophone--see Sonny Rollins' blueprint for the horn and trio setting, the 1957 Contemporary Records album Way Out West--the music flows freely. The players do not need to chase chords around. The result is a stretching of ...
Junichiro Mataga: Landscape
by Dan McClenaghan
Japanese pianist Junichiro Mataga made the move to the United States in 2019 to study jazz piano. He completed his Master of Music in Jazz Studies at the Aaron Copland School of Music in New York. With that background and a good deal of success in competitions--the Lennon Award in jazz for songwriting in the jazz ...
Ivo Perelman & Matthew Shipp String Trio: Armageddon Flower
by Dan McClenaghan
Saxophonist Ivo Perelman's albums come at us relentlessly. He is prolific. Multiple albums per year is his norm. His approach is, more often than not, sound and fury, signifying... what? It is hard to say. Of his Armageddon Flower he says: “Listening to this music is akin to reading the Book of Revelations in the Bible." ...
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