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Results for "Don Byron"
Four Artists Of The Jazz Clarinet Renaissance
by Dan Bilawsky
Since the jazz clarinet never really died, renaissance--or rebirth--may not be the term that best describes what's happening to the instrument in the twenty-first century jazz universe; it is, however, a pretty good one word synopsis. The licorice stick was there at or near the start, tooting along next to the trumpet and ...
Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
Eric Erhardt: A Better Fate
by Dave Wayne
Unlike a lot of jazz artists hawking a debut recording these days, reed/woodwind multi-instrumentalist Eric Erhardt is not fresh out of music school. He has been around for a while, playing for two decades in Broadway pit bands and with trad jazzers Ken Peplowski and Artie Shaw. A student of Dave Liebman, Erhardt's own musical interests ...
Bang on a Can All-Stars Announce Ken Thomson as New Clarinetist
Bang on a Can, New York’s innovative and energetic champion of new music, officially announced the new clarinetist for its “All-Star” lineup. The Bang on a Can All-Stars have become a singular vehicle for visionary composition over the course of the last 20 years, and with the addition of Ken Thomson will continue to set the ...
Swingadelic: Toussaintville
by Dan Bilawsky
It's tempting to say that the great Allen Toussaint is a musical phoenix who rose out of the ashes of a Katrina-ravaged New Orleans, but that's not really true. Toussaint wasn't reborn when his city was in ruins; people just started to wake up and take notice of him again in the wake of that tragedy. ...
Take Five with Aruan Ortiz
by AAJ Staff
Meet Aruan Ortiz: Named “the latest Cuban wunderkind to arrive in the United States" by BET Jazz, this classically trained violist and pianist from Santiago de Cuba, considers himself “a curious person who loves music," and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material ...
Charles Lloyd: Quartets
by John Kelman
ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...
MIT Jazz Program Celebrates 50 Years With A Corea Premiere
MIT Music and Theater Arts is celebrating the 50th anniversary of its jazz program. From the 1920s up until 1963, student-led jazz groups and student-produced concerts abounded on the MIT Campus. Over the years, the jazz groups included the MIT Dance Orchestra, the MIT Techtonians, and the MIT Jazz Society. On campus performances were presented by ...
2012: The Year in Jazz
by Ken Franckling
The world of jazz officially went global in 2012, kicked the Grammy Awards in the shins, dealt with economic issues and Mother Nature, and found new ways to innovate in this social media and Internet-savvy age. There were ups and there were downs for both longstanding clubs and festivals, too. Here's a look at ...
Bill Frisell: Live Download Series #14-17
by John Kelman
DS#001-013 | DS#014-017 In a previous All About Jazz article, the first thirteen installments of guitarist Bill Frisell's remarkable Live Download Series were reviewed. Beginning in 2009, Frisell and Songline/Tonefield Productions began making available high quality, download-only (but in formats including 320K MP3 and lossless FLAC) live performances dating as far back as 1989, ...
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