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Gregg August, Sandy Evans, & Phelan Burgoyne
by Maurice Hogue
Catching up this time out on a couple of great releases that I've been a little tardy in playing: bassist Gregg August's important Dialogues On Race Vol. 1 and Aussie saxophone powerhouse Sandy Evans' Postcards From The Anthropocene . The late drummer Paul Motian wrote lots of tunes and English drummer Phelan Burgoyne has collected a ...
Guitar Talk: Conversations with Visionary Players
by Mark Sullivan
Guitar Talk: Conversations with Visionary Players Joel Harrison 256 Pages ISBN-13 : 978-1949597134 Terra Nova Press 2021 As founder of the Alternative Guitar Summit, guitarist/composer Joel Harrison has gotten to know a lot of adventurous contemporary guitarists: this book collects far-ranging conversations with twenty-seven of them. In fact, ...
Paolo Angeli: Jar'a
by Ian Patterson
In a recording career that began in 1995, prepared guitarist Paolo Agneli's has toggled between solo albums and collaborations with the likes of Fred Frith, Hamid Drake, Evan Parker, Takumi Fukushima and Iva Bittova. But whether in partnership or solo, the Sardinian's music stubbornly resists categorization. Elements of free-jazz, post-rock, folk, noise and electronic soundscaping are ...
Moers Festival 2021
by Martin Longley
Moers Festival Eventhalle/Rodelberg Moers, Germany May 21-24 2021 Just a few days before the start of this 50th anniversary festival, the local governmental authorities suddenly switched their virus regulations, allowing a crowd of 500 to attend each evening's outdoor park gig on the Rodelberg stage. During the daytimes, ...
Moers Festival 2021
by Phillip Woolever
Moers Festival Moers, Germany May 21-24, 2021 In a year that passed since the previous Moers Festival, the Covid 19 pandemic caused a lot of bad news regarding concert cancellations, closed venues, and further issues in the already challenging lives of professional musicians around the world. Thus, the success of this ...
Fred Frith, Ikue Mori: A Mountain Doesn't Know It's Tall
by Alberto Bazzurro
Elettronica a gogo in questo album inciso oltre sei anni fa, nel gennaio 2015, a Esslingen, sud-ovest tedesco, tra due degli improvvisatori più radicali (ma per altri versi anche sufficientemente versatili, visti i molteplici terreni toccati nelle loro ormai lunghe carriere) in circolazione, Fred Frith, classe 1949, da Heathfield, East Sussex, e Ikue Mori, classe 1953, ...
Moers Festival Interviews: Fred Frith
by Martin Longley
The Moers Festival in Germany celebrates its 50th anniversary during this year's edition, between 21st and 24th of May. The English guitarist Fred Frith was always a frequent player at this festival, particularly during the 1980s, whether with Massacre, Skeleton Crew or playing bass with John Zorn's Naked City. In comparatively more recent years, he appeared ...
Ariele Monti: la filosofia inclusiva di Area Sismica
by Libero Farnè
A Ravaldino in Monte, pochi chilometri a sud di Forlì, in una rustica e isolata casa di campagna ai piedi delle colline romagnole, per la precisione una Casa del Popolo costruita nel 1947, ha sede Area Sismica, uno dei locali più vivaci, autentici e accoglienti in cui ascoltare musica dal vivo con poche preclusioni di genere. ...
Shelley Hirsch: Back with a Vengeance
by John Pietaro
It took Brooklyn's Roulette performance space to break COVID-19's hold on Shelley Hirsch. Now, it seems there'll be no stopping her. The vocal acrobat, poet and performance artist was a new music original long before “downtown" moved across the East River. An original member of the avant rock band The Public Servants, Hirsch also ...
Fred Frith & Ikue Mori: A Mountain Doesn’t Know It’s Tall
by Mark Corroto
Have you experienced a performance of John Cage's composition “4:33"? If you are not familiar, while studying Zen Buddhism, Cage wrote “four minutes, thirty-three seconds" to be performed solo or in any combination of instruments or players. The instructions were for the performers to NOT play their instruments for the allotted 273 seconds. Their 'silence' was ...
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