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Freddie Redd

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Freddie Redd that is- consummate improvising keyboardist/composer whose original score on Blue Note for Jack Gelber's searing play "The Connection" reverberates eternally down the marble halls of the charm(ed) school of indelible jazz, thanks to Freddie's bewitching melodicism, nimble pianistic pyrotechnique, and the keening cry of Jacke McLean on alto (there's also a recording of Freddie's score on Felsted acquired on a Japanese cd reissue some years ago, with trumpeter Howard McGhee an extra added ingredient in the original mix, his quintet actually listed as the featured artist, Freddie ghosting his own parts under the moniker "I Ching") Outside of Herbie Nichols, Freddie Redd is one of the greatest unsung ivory-huntin' heroes of jazz and a very nice man for sure
Corey Weeds: Cory Weeds Meets Jerry Weldon

by Pierre Giroux
Tenor saxophone battles are a rich tradition in jazz, dating back to the vibrant days of Gene Ammons and Dexter Gordon and especially the fiery partnership of Eddie Davis and Johnny Griffin. With Cory Weeds Meets Jerry Weldon, the torch is passed with style, swagger, and an infectious swing. Weeds, the Canadian impresario and saxophonist, teams ...
Andrea Rinciari: Soho Sessions

by Neil Duggan
The tracks on this album are selected from the repertoire of songs performed during the weekly sessions held by guitarist Andrea Rinciari and his associates in Soho, London. As he explains, This album is a reflection of the magic that happens when musicians play together regularly. The tracks capture the spirit of our weekly Soho sessions. ...
Henry Franklin: Jazz Is Dead 14

by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Freddie Redd (1928-2021)

Freddie Redd, a hard-bop pianist whose funk-driven, percussive style and sophisticated sense of harmony were reminiscent of Horace Silver but whose recording output seemed thinner than his initial promise, died March 17. He was 92. Born in New York and largely self-taught, Redd recorded sporadically in the 1950s as a sideman, disappearing for blocks of time ...
Freddie Redd on Blue Note

Freddie Redd was a hard-bop pianist whose percussive, funk-flavored style had a great deal in common with pianist Horace Silver. But for some reason, Redd recorded far too few albums given his talents, preferring instead to earn his living playing clubs in the U.S. and abroad. Born in New York and largely self-taught, Redd recorded sporadically ...
Michael Cuscuna: In The Vault Playing God

by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
Hard Bop: An Alternative Top Ten

by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Un Poco Loco: Ornithologie

by Mark Corroto
Somewhere Han Bennink is very jealous of the music making of the trio Un Poco Loco. The master of 'New Dutch Swing' hijinks would give his right crash cymbal to perform music in the manner this trio covers Charlie Parker on Ornithologie. The aptly designated Un Poco Loco ('a bit crazy') trio is trombonist Fidel Fourneyron, ...
Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)

by Russell Perry
Fate could not have treated Blue Note saxophonists Tina Brooks and Jackie McLean more differently. While McLean released nine LPs for Prestige and two dozen for Blue Note between 1956 and 1967, only one of Tina Brooks' four Blue Note sessions was released in his lifetime. Yet their collaborations on McLean's Jackie's Bag and the unreleased ...