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Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dan?a Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Homage and Acknowledgment: A Conversation with Wallace Roney
by Stanley Péan
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2001. The following conversation took place in Wallace Roney's room at Wyndham Hotel in downtown Montreal on Sunday, July 8th 2001, the day after he performed Miles and Miles: A Musical Journey, his tribute commemorating both the seventy-fifth anniversary of ...
From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground
by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10??K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
Gary Bartz NTU Troop: Live In Bremen
by Chris May
In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Brian Jackson: Winter In America Pt. 2
by Chris May
As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...
[Long] Live (at) the Jazz Standard! - Part 2
![Read "[Long] Live (at) the Jazz Standard! - Part 2" reviewed by Ludovico Granvassu](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/8bb5d0174719971c15788e4b28c08c4b.jpg)
by Ludovico Granvassu
We continue our celebration of the Jazz Standard, after the announcement of its untimely closure. The capacity to appeal to both the beginner and the long-time jazz fan, and to combine the familiar with the unfamiliar, were some of the many strengths of Seth Abramson's artistic direction. Through a number of concerts recorded live ...
Jazz Is Dead 1
Label: Jazz Is Dead
Released: 2020
Track listing: Hey Lover feat Roy Ayers; Distant Mode feat Gary Bartz; Nancy Wilson feat Brian Jackson; Conex?o feat Jo?o Donato; Down Deep feat Doug Carn; Apocalíptico feat Azymuth; N?o Saia Da Pra?a feat Marcos Valle; Jazz Is Dead feat The Midnight Hour.
Night Dreamer Direct-To-Disc Sessions
By Gary Bartz
Label: Night Dreamer
Released: 2020
Track listing: Harlem To Haarlem; The Stank; Leta’s Dance; Uhuru Sasa; Dr Follows Dance.
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