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Geof Bradfield
Born:
Saxophonist and composer Geof Bradfield blends modern jazz, African rhythms, and the roots music of his native South into a style that is “explicitly adventurous and forward-looking” (AllAboutJazz.com). Born in Houston and based in Chicago, Bradfield has performed throughout North America, Europe, Russia, Asia, Africa and the Middle East, sharing the stage and recording studio with artists such as Randy Weston, Dana Hall, Clark Sommers, Brian Blade, Ben Goldberg, Anna Webber, Orrin Evans, Jeff Parker, Matt Ulery, and Ryan Cohan. His work is featured on 50+ CDs including ten albums as a leader that have garnered critical accolades from the New York Times, Los Angeles Times, Chicago Tribune and NPR. He has received grants and awards from Chamber Music America, Doris Duke Charitable Foundation, DCASE, Illinois Arts Council, and the Mellon Foundation. The Downbeat Critics Poll has named him a Rising Star Tenor Saxophonist and Arranger multiple years.
Arc and Edge
By James Davis
Label: Calligram Records
Released: 2025
Track listing: Long Road Home; Search for Itness; Rothko Sketches; Open Door, Closed Door; Unending
Path; Pamplemousse; Balancing Act; Heartstring Saga; Pulsar; The Blind Watchmaker; As the
Crow Flies.
Breathe
By Chris Varga
Label: Calligram Records
Released: 2025
Track listing: Durantula; Breathe; Lid; Framing The Dragon; Passing Remark; This System Of Things; TMI;
Gentle Vicissitudes.
Several Worthwhile Releases from the Last Few Months
by Jerome Wilson
Despite what is said about physical media going away, a steady supply of new jazz releases keeps showing up every week. Here are some worthy if underappreciated albums from the first half of 2025. Tobias Meinhart Sonic River Self Produced 2025 “Sonic River" is a good description ...
James Davis' Beveled: Arc and Edge
by Mark Corroto
Trumpeter James Davis' sextet is aptly named Beveled--a word that means transforming a sharp, square edge into something smoother, more refined. That concept of reshaping and softening defines both the ensemble's instrumentation and its sonic character. Davis sets the tone by trading his bright trumpet for the warmer, more introspective voice of the flugelhorn. He deepens ...
James Davis' Beveled: Arc and Edge
by Jack Bowers
Beveled, according to Webster's, translates roughly to “slanted" or “grooved." On Arc and Edge, flugelhornist James Davis' Chicago-based sextet clearly has its own slant on contemporary post-bop jazz wherein the groove ranges from typically improvised passages to cutting-edge motifs and classical chamber music, using a second flugelhorn, two bass clarinets and rhythm to flesh out the ...
Chris Varga: Breathe
by Jack Bowers
It is always refreshing to hear a talented vibraphonist seducing the mallets while leading a band, as is true on Breathe, Chris Varga's second recording, and the first in the U.S., following 2023's Vichara on South Korea's Mung Music label. Varga, who has been living and performing in Seoul for more than two decades, returned “home" ...
Eric Jacobson: Heading Home
by Jack Bowers
There is a sensible piece of advice known to every baseball batter that has been taken to heart by Milwaukee-based trumpeter Eric Jacobson's concerning his hard-hitting quintet: come out swinging. Which is precisely what happens on Heading Home, Jacobson's second (or perhaps third) recording as leader of his own ensemble, whose opening number, “Survival," proves beyond ...
Chris Varga: Breathe
by Dan McClenaghan
Setting up shop as a jazz artist in Seoul, South Korea, is probably not the recommended way of raising the profile in the United States. But vibraphonist Chris Varga, who worked the jazz scene in Chicago during the '90s, made that trans-Pacific move and set himself up as a busy and prolific player in Korea's vibrant ...
Dan Bilawsky's Best Jazz Albums of 2024
by Dan Bilawsky
Music that resonates with a listener is a rare gift for that receiver. And the artists who create it are to be admired for all that they produce and bestow. It's important to never lose sight of those truths and the power of aural art. I can't truly say that I believe that ...
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