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George Adams
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George Adams - tenor saxophone, flute, bandleader (1940 - 1992) A soulful soloist of fierce energy, with a sound that could break into a bluesy, vocalized cry, Adams was heavily steeped in the blues and gospel tradition of his roots. George Adams was born in Covington. Georgia on 29 April 1940. At the age of eleven he started to play the piano, at High School he switched to tenor sax. He studied at the Clark College and got lessons on flute by that former Chick Webb man, Wayman Carver. At first George Adams played mostly rhythm and blues in so-called organ trios. He worked with Sam Cooke and some local guys
Who Was George Adams?
The reason you may not be familiar with George Adams or his music is that much of it was recorded in Italy. Born in Covington, Ga., in 1940, the tenor saxophonist and flutist did most of his recording as a leader or co-leader in a range of Italian studios.? Adams is probably best known for his ...
Charles Mingus: Mingus in Argentina
by Jack Kenny
This latter-day Charles Mingus group is ripe for reassessment. The new guys, Ricky Ford, Robert Neloms and Jack Walrath carried a heavy burden as they toured South America. The two-CD collection is a great feast of Mingus played by a band that, as yet, has never had real recognition. Much of the music was written for ...
Song For Someone The Musical Life of Kenny Wheeler
by Jack Kenny
Song For Someone The Musical Life of Kenny Wheeler Brian Shaw and Nick Smart (Foreword by Dave Holland ) 509 Pages ISBN: # ISBN-13- 978-178179 Equinox Publishing Prising apart the complex nature of Kenny Wheeler is a worthwhile task. Wheeler lacked swagger, a swashbuckling attitude and arrogance. He said, “I ...
Gil Evans Remembered: Gil Evans Remembered (Live At The Cutting Room, NYC)
by Jack Kenny
Few people have a better right to remember Gil Evans than these musicians. The serrated wail of this band enraptured, touched and torched the listeners. It is easy to see why musicians from the Monday Night Band would want to play, creating under Evans' beatific musical vision. It must have been inspiring. Most of the musicians ...
Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
Umbria Jazz 2024
by Libero Farnè
Varie sedi Umbria Jazz 2024 Perugia 12--21 luglio 2024 Partecipare a Umbria Jazz significa per me affrontare un'esperienza non solo frastornante, per la molteplicità di stimoli che si ricevono nei diversi luoghi della città e in ogni ora del giorno, ma anche anomala, per certi versi schizofrenica. Da un lato ci ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Ryan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...
The Vocal Music of Charles Mingus
by Ellen Johnson
Part 1 | Part 2 Part ICharles Mingus is not typically the first name that comes to mind when discussing jazz vocal repertoire, but perhaps it should be. Since the 1940s, Mingus wrote songs in collaboration with other musicians and even penned his own lyrics. His oeuvre encompasses popular songs of the era as ...
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