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Tessa Souter: Making Connections Between Erik Satie, Jazz, and Personal Identity
by Victor L. Schermer
New York-based vocalist Tessa Souter is deservedly treasured among jazz fans, critics and musicians alike. Equally effective performing live and on her several fine recordings, she is a jazz singer who combines the sonority, vocal range and discipline of a classical mezzo soprano with subtle and sultry jazz inflections. Everything she sings is well thought out ...
Ute Lemper: Pirate Jenny
by Scott Gudell
Germany's optimistic yet fragile Weimar Republic period was wedged between two brutal wars during the early 20th century. Extending from 1918 to 1933, it was proudly called the Jazz Age and the Golden Twenties and offered an abundance of free-flowing entertainment choices. It was also a time of inflation, chaos and conflict dominated by economic instability ...
Salvador Sobral Quartet al Crossroads Reloaded Festival 2020
by Emmanuel Di Tommaso
Salvador Sobral Quartet Cortile del Palazzo dei Principi Crossroads Reloaded 2020 Correggio 1.8.2020 Il cortile rinascimentale del Palazzo dei Principi di Correggio diventa lo scenario del primo concerto in Italia del cantautore lusitano Salvador Sobral, accompagnato sul palco dal pianista Max Agnas, dal contrabbassista André Rosinha e dal batterista ...
Live From Brussels: Aldous Harding, Samantha Fish & Deus
by Martin Longley
Aldous Harding Botanique May 14, 2019 The Rotonde room in Botanique is a pleasingly intimate environment with tiered ledges in, yes, a most-of-a-circle formation. For this unsurprisingly sold out show, right at the beginning of New Zealand singer Aldous Harding's European tour, all space was sardined, but your scribe fortunately ...
Elina Duni: Partir
by John Kelman
Sometimes a change in musical direction is instigated by life experiences; sometimes it's driven by nothing more than choice. Following two recordings for ECM Records with her Switzerland-based quartet, Elina Duni makes a significant directional shift with the entirely solo Partir. Given the generally introspective nature of 2012's Matan? Malit (Over the Mountain) and 2015's Dallёndyshe ...
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