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Jimmie Noone
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Jimmie Noone is considered one of the best clarinetists of the Roaring Twenties. His style differs from the other two great New Orleans clarinet players, Johnny Dodds and Sidney Bechet because of his smoother, more romantic tone. Noone's style was a major influence on the Swing music of the Thirties and Forties. Growing up in New Orleans Jimmie took clarinet lessons from Lorenzo Tio Jr. and Sidney Bechet (Bechet was 13 years old at the time). Noone went on to play with Freddie Keppard in the Olympia Band. In 1917 he followed Freddie to Chicago to join Keppard's Original Creole Orchestra
The Brief Reign of King Oliver
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
Stefan Smulovitz, Marina Albero, Nubya Garcia, Wolfgang Muthspiel
by Cheryl K.
During this week's two-hour program of jazz and improvised music, cuts from new releases by multi-instrumentalist Stefan Smulovitz, pianist Marina Albero, saxophonist Nubya Garcia, the Brazilian trio Caixa Cubo, a never-before-issued album co-led by pianist McCoy Tyner and saxophonist Joe Henderson, pianist Jon Batiste, and guitarist Wolfgang Muthspiel. Playlist Jimmie Noone “Forevermore" from Apex ...
Chicago Jazz Roots (1922 - 1929)
by Russell Perry
In the last hour we listened to the music of the first great jazz composer, Jelly Roll Morton, and Sidney Bechet, the only soloist in early jazz to seriously challenge Louis Armstrong. In addition to Joe “King" Oliver, Jelly Roll Morton and Louis Armstrong, the Chicago scene bristled with black and white bands, initially ...
This Week On Riverwalk Jazz: Clarinet Marmalade
This week on Riverwalk Jazz The Jim Cullum Jazz Band offers an exploration of great pre-WWII voices of jazz clarinet with the help of prominent contemporary exponents of the “old school." Evan Christopher, Bob Wilber, Kenny Davern and Ken Peplowski perform with the Band and talk about their mentors and influences. The program is distributed in ...
This Week On Riverwalk Jazz; New Orleans Jazz Pioneers And Their Legacy
In the early 1960s cornetist Jim Cullum was a young man in his 20s. He made a pilgrimage to New Orleans to explore the roots of jazz, meet jazz greats and sit in on jam sessions. This week on Riverwalk Jazz Jim recalls a jam session with cornetist Johnny Wiggs and Mardi Gras parades when he ...
Swinging On The South Side: The Heartbeat Of Chicago Jazz This Week On Riverwalk Jazz
This week on Riverwalk Jazz, vocalists Topsy Chapman and Vernel Bagneris, trumpeter Duke Heitger and pianist Dick Hyman join The Jim Cullum Jazz Band—club-hopping on the South Side of Chicago from the “black and tans" of the ’20s to the grand ballrooms of the ’30s. The program is distributed in the US by Public Radio International, ...
Clarinet Marmalade This Week On Riverwalk Jazz
This week on Riverwalk Jazz The Jim Cullum Jazz Band offers an exploration of great pre-WWII voices of jazz clarinet with the help of prominent contemporary exponents of the “old school." Evan Christopher, Bob Wilber, Kenny Davern and Ken Peplowski (pictured at right) perform with the Band and talk about their mentors and influences. The program ...
A Trio Of New Orleans Jazz Pioneers This Week On Riverwalk Jazz
In the early 1960s cornetist Jim Cullum was a young man in his 20s. He made a pilgrimage to New Orleans to explore the roots of jazz, meet jazz greats and sit in on jam sessions. This week on our show, Cullum recalls a jam session with cornetist Johnny Wiggs and Mardi Gras parades when he ...
Buster Bailey: All About Memphis
by Andrew J. Sammut
Buster Bailey's skill as both an improviser and section man made him a shoo-in for some of the best gigs in jazz history. Starting, from his teenage years, with W.C. Handy, steady employment under King Oliver, Fletcher Henderson, John Kirby and Louis Armstrong also left the clarinetist little time (perhaps need) to record as a leader. ...
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