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Jimmy Smith
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Born James Oscar Smith in Norristown, Pennsylvania, USA. Smith was influenced by both gospel and blues. He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. In the sixties and seventies he helped create the jazz style known as 'funk' or 'soul jazz'. There had been earlier limited use of the electronic organ in jazz (notably by Fats Waller and Count Basie), though these early examples sometimes had a novelty feel. Smith is widely recognized as introducing the electric organ as a legitimate musical instrument, capable of virtuoso improvisation
All About Music—My AAJ Experience
by Alan Bryson
Music & Taste Music and food have a lot in common. Variety is the key--without it, even the best prepared food loses its appeal. It is telling that we speak of “musical taste," even though we experience music through our ears. Genres like jazz and classical music weave together themes, patterns, harmonies, and mathematical ...
Dug and Jazz Spot Intro in Tokyo
by Sanford Josephson
I owe my love of jazz to the time I spent in Japan in the mid-1960s when I was working as a writer in the public information office of the American Red Cross' Far Eastern Area headquarters, located on a U.S. Army base about 45 minutes from Tokyo. While there, I saw Duke Ellington, Ella Fitzgerald, ...
Mitch Towne: Refuge
by Kyle Simpler
After organ trios came to prominence during the 1950s, jazz groove has never been the same. Performers like Jack McDuff, Jimmy McGriff, and most notably Jimmy Smith introduced a new level of soul to jazz music. With Refuge, organist Mitch Towne makes a compelling debut as a leader, adding his name to a who's who of ...
A Brief Guide To Ukrainian Jazz: Part 3
by Ian Patterson
Part 1 | Part 2 | Part 3 | Part 4 The third installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces five more highly talented jazz artists/groups from Ukraine. The vast range of personal musical identities attests to the strength, depth and originality of contemporary ...
Organ Freeman: Busywork
by Ian Patterson
Not to be confused with the Los Angles-based organ trio of the same name--though it is hard to see how confusion will not reign--this Organ Freeman hails from Dublin, Ireland, where guitarist/vocalist Charlie Moon, organist Darragh Hennessy and drummer Dominic Mullan have held a Sunday residency at The Big Romance since 2018. For its debut album, ...
John Lamkin: Hot
by Tony Poole
Best known as a dedicated music educator, Dr. John Lamkin II has spent decades shaping the next generation of musicians as Director of Bands at the University of Maryland Eastern Shore. But in 1984, he stepped into the spotlight with Hot, a dynamic blend of fusion, R&B, and straight-ahead jazz-funk that showcased his prowess as a ...
Stephen Davis: Leaving It All Out There
by Ian Patterson
"How come I haven't heard of you before?" a surprised Anthony Braxton asked Northern Irish drummer/percussionist Stephen Davis. The venerable American saxophonist and composer was bowled over after playing with Davis for the first time. Most musicians are. It is no secret in Ireland, or indeed Europe at large, that Belfast-born Davis is ...
Sullivan Fortner, Gabriele Comeglio, Nour Symon, Volker Meitz
by Cheryl K.
During this week's two-hour program of Jazz and improvised music, cuts from new releases by harpist Ashley Jackson; pianist Sullivan Fortner; Julia Hülsmann; saxophonist Gabriele Comeglio; multidisciplinary artist Nour Symon; vocalist Eugenie Jones; keyboardist Volker Meitz; and saxophonist Lucious Crawford. Playlist Archie Shepp “Invocation: Ballad for a Child" from Attica Blues (Impulse!) :30 Archie ...
Brent Laidler: Hidden Gems
by Patrick Burnette
Guitarist Brent Laidler has released mainstream jazz albums infused with a cheerful attitude throughout his career. They tend to feature all original tunes, but unlike most jazz releases featuring (cursed with?) the All-Original Syndrome, his tunes are catchy, accessible, and sometimes even mood-enhancing. Given that hundreds--if not thousands--of small group jazz albums are released each year, ...
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