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Francesco Negro, Igor Legari, Ermanno Baron: Aspettando il tempo
by Angelo Leonardi
Non ancora trentenne, il pianista e compositore salentino Francesco Negro manifesta una progettualità artistica d'alto spessore, sicuramente insolita nei musicisti della sua generazione. Questo disco è l'ultimo volume di una trilogia iniziata con Abbagli (Philology, 2008) e proseguita con Silentium (Alfa Music, 2011). Se il primo esprimeva la sua vena di autore attento ai ...
Philip Glass: Words Without Music - A Memoir
by Nenad Georgievski
Words Without Music: A Memoir Philip Glass 432 pages ISBN: 0871404389 Liveright 2015 While composer John Cage is the first name in contemporary classical music that most people will likely know, the music of composer Philip Glass is probably more likely to be the first sound of it ...
Bray Jazz Festival 2015
by Ian Patterson
Bray Jazz Festival 2015 Various Venues Bray, Ireland May 1-3, 2015 Sunshine and squall. The sun and the clouds chased each other's tails throughout the May Bank Holiday weekend of the Bray Jazz Festival. In a way the weather mirrored the music--a pleasingly eclectic, bracing mixture--and the fortunes of the ...
Stefano Luigi Mangia: Cagexperience
by Alberto Bazzurro
Il trentatreenne leccese Stefano Luigi Mangia si è andato negli ultimi tempi affermando come una delle voci maschili più interessanti del panorama nazionale di ricerca. In questo lavoro monografico su John Cage, gli è prezioso sodale il corregionale Gianni Lenoci, che le note di copertina accreditano genericamente all'elettronica, mentre è tutto un florilegio di suoni e ...
Morton Feldman: Two Pianos and other pieces, 1953-1969
by John Eyles
It has become a truism that AMM pianist John Tilbury is an interpreter of Morton Feldman's music par excellence--one of the very best, if not the best. Such opinions are backed up by his Feldman recordings such as Morton Feldman: All Piano (LondonHALL, 1999), Triadic Memories--Notti Stellate A Vagli (Atopos, 2008) and For Philip Guston (Atopos, ...
The Rich Musical Vision of Japanese Double Bass Player Tetsu Saitoh
by Eyal Hareuveni
Japanese double bass master Tetsu Saitoh is one of the most original players of the bull fiddle. He is a resourceful and inventive free improviser but also feels at home when is playing Argentine tango, Brazilian music, Korean shaman music, obviously jazz or collaborating with poets, painters, dancers or theatre groups. All enrich his musical world ...
I 10 CD nel Cd-player di... Boris Savoldelli
by Vincenzo Roggero
01. SimakDialog -The 6th Story (Moonjune Records -2013). Band indonesiana del pianista e bandleader Risha Arshad, un caro amico e meraviglioso musicista/compositore. Un ensemble musicale, prodotto dalla mia stessa etichetta newyorkese, portatore di un originale formula che può ricordare un certo Miles elettrico con, in più, un gusto orientale dettato dalla presenza in formazione di ...
Sebastian Gramss: Thinking of…
by Eyal Hareuveni
The late Italian double bass master Stefano Scodanibbio, who died untimely in 2012 after a battle with the ALS disease, was a unique artist. A musician who expanded significantly the vocabulary of the double bass, exploring its almost infinite timbral range, and inventor of many extended and experimental techniques. He was also a unique composer and ...
Natsuki Tamura, Alexander Frangenheim: Nax
by Karl Ackermann
Trumpeter Natsuki Tamura has long straddled the divide between free improvisation and lyrical jazz. The latter has been adequately and beautifully represented in his work with Gato Libre. That quartet features his wife and occasional duo partner--the pianist and accordionist Satoko Fujii--and combines elements of folk, chamber and modern jazz. In contrast, much of his solo ...
Pauline Oliveros: Accordion & Voice
by Karl Ackermann
It's understandable if Pauline Oliveros is not a top-of-mind name, even after more than five decades in music. The eighty-two year old composer has been far-removed from the mainstream as a pioneer in the subculture of experimental electronic music and composition since the 1960s and her acoustic instrument of choice is the accordion. Yet her résumé ...
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