Home » Search Center » Results: lee morgan
Results for "lee morgan"
Results for pages tagged "lee morgan"...
Lee Morgan

Born:
Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.
He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.
Chuck Mangione: Friend For Lovers

by Chris M. Slawecki
This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...
Chuck Mangione: Back On Track

by Michael Ricci
This article first appeared on All About Jazz in June 1999... without embedded videos. For three decades, Chuck Mangione's infectious energy, unbridled enthusiasm, and pure joy have defined his deep passion for music. Born and raised in Rochester, New York, he first garnered attention playing with the Jazz Brothers alongside his older brother, Gap. ...
Lee Morgan: Here's Lee Morgan

by C. Andrew Hovan
While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the ...
Interpreting the Lennon/ McCartney Songbook: Part 2, Rubber Soul and Revolver

by Larry Slater
The songwriting team of John Lennon and Paul McCartney became increasingly sophisticated by the mid 1960s. McCartney was the more knowledgeable musically, as he played piano and understood harmony (though he never did learn to read music). Much of John Lennon's writing had a harder edge, and he had a way with lyrics. The albums Rubber ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues

by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Barbara Bruckmüller Jazz Orchestra, feat. Aruán Ortiz: A Chain of Moments

by Artur Moral
Julio Cortázar's Rayuela (1963), Mark Z. Danielewski's House of Leaves (2000) and Chris Ware's Building Stories (2012) are novels--both written and graphic--that stand out, not just for their literary merit, but also for the various ways readers can engage with them. A similar phenomenon occurs on the listening level with A Chain Of Moments: Suite in ...
Under Review: The Not-So-Simple Art Of Book Reviewing

by Duncan Heining
Jazz books occupy a tiny sector of the publishing industry, within which any book selling between 500-1000 copies counts as a success. Biographies of major figures might command mid-four figure sales but even then come nowhere near troubling the best-seller tables in the New York Times or Guardian. On All About Jazz, between 900 book reviews ...
Freddie Hubbard: On Fire--Live From The Blue Morocco

by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...