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Lester Young
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Lester "Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In the Forties, he grew his hair out. The other tenor players held their saxophones upright in front of them, so Young held his out to the side, kind of like a flute (see picture above). Then, there was the way he played: Hawkins played around harmonic runs. He played flurries of notes and had a HUGE tone that the other tenor players of the day emulated. Young used a softer tone that resulted In a soft, light sound (if you didn't know better, you would think the two were playing different instruments). Young used less notes and slurred notes together, creating more melodic solos. He played the ordinary in an extraordinary way, using a lot of subtleties to produce music that Billie Holiday said flips you out of your seat with surprise.
Lucian Ban: jazz, musica popolare della Romania e l'alter ego Mat Maneri
by Neri Pollastri
Originario della Romania, sebbene da quasi trent'anni residente a New York, il pianista Lucian Ban alterna da tempo le proprie produzioni originali alla ricerca sulla musica della propria terra, quasi sempre assieme al violista Mat Maneri, con il quale forma da anni uno stretto sodalizio artistico. Dopo aver più volte parlato dei suoi album dedicati alla ...
Celebrating Art Pepper, Al Cohn and Marty Paich on their centennial.
by Larry Slater
It is hard to even imagine the history of jazz without the many musicians born 100 years ago.There were the icons, like Roy Haynes, Oscar Peterson, Gene Ammons and James Moody, as well as long forgotten artists like Dodo Marmarosa , Leo Parker and Sahib ShihabIn this hour, you'll hear gifted musician ...
Dave Bass Trio: Trio Nuevo Vol 2
by Pierre Giroux
With Trio Nuevo Vol. 2, pianist Dave Bass continues to chart his unique course through the jazz landscape, delivering an album that is both grounded in tradition and fearlessly progressive. Joined by the superb Tyler Miles on bass and the ever- responsive Steve Helfand on drums, Bass offers a multifaceted recording that celebrates the breadth of ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Herschel Evans and Chu Berry: the short careers of two tenor masters of the swing era
by Larry Slater
In the 1930's Coleman Hawkins' big sound and harmonic mastery ruled the roost, but there were tenor saxophonists who challenged Hawks throne, Two of these talented tenor players died before they had a chance to find fame: Chu Berry, and Herschel Evans. . Herschel Evans joined the Count Basie band In 1936, where he rose to ...
Steve Allee: Naptown Sound
by Steve Allee
Submitted on behalf of Kyle Long, Producer/Host at WFYI in Indianapolis.If you ask the average music fan to name the greatest jazz cities in America, it's unlikely that Indianapolis would top their list. That's a shame, as those familiar with the city's history know better. They see the unique fingerprints of Indianapolis musicians across ...
Charles Mingus: Mingus in Argentina
by Jack Kenny
This latter-day Charles Mingus group is ripe for reassessment. The new guys, Ricky Ford, Robert Neloms and Jack Walrath carried a heavy burden as they toured South America. The two-CD collection is a great feast of Mingus played by a band that, as yet, has never had real recognition. Much of the music was written for ...
Don Byas: Sax Expat
by Richard J Salvucci
Don Byas: Sax Expat Con Chapman 233 Pages ISBN: 9781496856081 University Press of Mississippi2025 Don Byas, a tenor saxophonist, who was regarded with great respect in his day, is, unfortunately, now not much more than a name. In part, it is because he has been gone for half a ...
Charles Mingus: In Argentina: The Buenos Aires Concerts
by Pierre Giroux
The Charles Mingus ensemble that arrived in Argentina in 1977 for the Buenos Aires concerts remains one of the lesser-known yet musically potent groups in the bassist-composer's storied history. These concerts are now presented in this first authorized release as a 2-CD set under the title Mingus In Argentina: The Buenos Aires Concerts, offered in a ...
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