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Where Clifford Brown Learned to Play: Love In A Wilmington Neighborhood
by Arthur R George
Part 1 | Part 2 Robert “Boysie" Lowery was trumpeter Clifford Brown's first music instructor in the early 1940s, and mentored decades of young musicians thereafter in Wilmington, Delaware. He taught as a sideline to club work, a resource for his community but caring not so much about being paid for his lessons. That ...
The Paxton / Spangler Septet: Ugqozi
by Chris May
Ugqozi is a celebration of modern, urban African music, especially that from South Africa, with which co-leaders trombonist John “Tbone" Paxton and percussionist RJ Spangler have been in love for decades. It is also an affirmation of the vibrant Detroit scene of which the multi-generational Paxton / Spangler Septet is a part. Actually, ...
The Time Is Now!
By Phil Ranelin
Label: Now-Again Records
Released: 2021
Track listing: The Time Is Now For Change; Time Is Running Out; Of Times Gone By; Black Destiny; 13th & Senate; He The
One We All Knew (Part 1).
Kenny Garrett: The Value of Ancestors
by R.J. DeLuke
Saxophonist Kenny Garrett has always respected the music of his predecessors. He knows its importance. He knows the value of the tradition, knowledge and innovation passed on to new generations of musicians. He's recorded, for example, dedications to John Coltrane (Pursuance, Warner Bros., 1996), as well as Joe Henderson and Sonny Rollins (Trilogy, Warner ...
Dave McMurray: Blowing on the Edge of Grate-ness
by Lawrence Peryer
Saxophonist Dave McMurray's discography is reflective of the musical melting pot of his hometown Detroit. Dave came up playing with everyone from bluesman Albert King, pianist Geri Allen, even Kid Rock. He is most known for his decades-long association with eclectic producer, and Blue Note label President, Don Was. Through Was, who ...
Charles Mingus: @ Bremen 1964 & 1975
by Chris May
Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
It Takes Two to Jazz: Part I
by Ludovico Granvassu
This week we focus on the art of the duo. A challenging format as one does neither have the complete freedom of a solo nor the support of a larger band. Yet, in the hands of the right artists, it can produce magical music. Happy listening! Ben Allison “Mondo Jazz Theme ...
Results for pages tagged "Marcus Belgrave"...
Marcus Belgrave
Born:
Marcus Belgrave is Detroit’s internationally recognized jazz trumpet great. He came to prominence in the late 50’s, touring and recording with the late great Ray Charles’ Orchestra, at the height of Ray’s hit-making era. Marcus is heard as a trumpet soloist on some of Ray’s most famous “hits”... both albums and singles. He always pays tribute to Ray, who mentored him from the young age of 19. He is the only living member of Ray Charles’ small band horn section. He was also mentored by the Great Clifford Brown. Clifford’s early influence on the young Belgrave can still be heard in his tone
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