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Michael Buble
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Ask Michael Bublé how he felt going in to record his third studio album, Call Me Irresponsible, and this artist with 11 million albums sold and two Grammy nominations under his belt can sum it up in one word. “Terrified,” he says simply. Terrified? “Completely, because I knew that it had to be better than the first two • that it had to show growth without alienating anyone, and that’s a tough line. So I sat there from the very beginning and came up with the songs, put together the skeleton, and thought about what arrangers I would hire. I even ended up at the mastering session, which artists rarely attend
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
Zachary Finnegan: Guidance and Gratitude
by Nicholas F. Mondello
Guidance and Gratitude from trumpeter and composer Zachary Finnegan delivers nine highly-textured and involving selections. Each selection presents itself with a story background in its title and each is a multi-layered composition, a micro-symphony. It is intelligent music. “Urban Motion" is an energetic, perhaps frantic, landscape with an ostinato six-note bed and a ...
Take Five with Vocalist Vanessa Racci
by AAJ Staff
Meet Vanessa Racci Vanessa Racci is a jazz singer of Italian American descent with a passion for retro jazz and music made famous by Italian Americans. She has recorded two albums (Italiana Fresca and Jazzy Italian) and produces and performs in several shows that celebrate American jazz, Italian American music and their contributions to jazz and ...
Lia Booth & Jason "Spicy G" Goldman: There's Only One
by Edward Blanco
Southern California-based saxophonist, songwriter and award-winning producer Jason “Spicy G" Goldman, presents There's Only One, an engaging encore performance to his previously well-received album Hypnotized (2020, Self-Produced). This offering provides a selection of re-imagined standards supported by a core septet, plus the addition of violins and cello on selected tracks, that manages to produce a large ...
October 2022: Smile
by C. Michael Bailey
Tawanda Smile Resonance Records 2022 Tawanda Suessbrich-Joaquim, known professionally as Tawanda, tied for first place in the 9th annual Sarah Vaughan International Jazz Vocal Competition held in June 2021. That is fresh talent. Tawanda won this award only a year after making her stage debut, a feat, surpassed only by ...
Jane Monheit: Come What May
by Richard J Salvucci
Some reviews should be easy, particularly when the artist is established, celebrated, and universally esteemed. Almost anyone interested in contemporary jazz and pop singing knows Jane Monheit. Quoting SFJAZZ directly, “In 1998, Monheit was a finalist at the Thelonious Monk Institute of Jazz International Vocals Competition, taking second to the late Teri Thornton. She recorded twelve ...
Mark Small: One Day
by Edward Blanco
Saxophonist Mark Small is an active performer and educator teaching at Miami-Dade College and New World School for the Arts. He also serves as an instructor in other programs throughout the Miami community, in addition to his time spent in the New York jazz scene. He brings his considerable knowledge and talents to the fore on ...
Jason "Spicy G" Goldman: Hypnotized
by Edward Blanco
An award-winning producer, songwriter, composer, arranger, educator and multi-instrumentalist, Jason Goldman (aka “Spicy G") presents the EP Hypnotized, delivering another enchanting masterpiece production of music from The Great American Songbook. Best known for his collaboration with Michael Bublé, Goldman's credits extend to writing and arranging for the likes of David Foster, Herbie Hancock and Meghan Trainor ...
Benny Benack III: A Lot of Livin' to Do
by Angelo Leonardi
Non ancora trentenne Benny Benack III conferma il talento espresso nell'esordio di tre anni fa One of a Kind, con un album frizzante e coinvolgente, dove ritroviamo la baldanza del trombettista neo bop e l'esuberanza del vocalist in equilibrio tra crooner e vocalese. Il rischio d'essere scambiato come un epigono di Harry Connick ...
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