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Oscar Pettiford
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Oscar Pettiford born in Okmulgee, Oklahoma, was a double bassist, cellist and composer known particularly for his pioneering work in bebop. Pettiford's mother was Choctaw and his father was half Cherokee and half African American. Like many African Americans with Native American ancestry, his Native heritage was not generally known except to a few close friends (which included David Amram). In 1942 he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his "The Man I Love." He also recorded with Earl Hines and Ben Webster around this time
Miles '55: The Prestige Recordings
By Miles Davis
Label: Craft Recordings
Released: 2025
Track listing: I Didn't; Will You Still Be Mine; I See Your Face Before Me; A Night in Tunisia; A Gal in Calico; Dr. Jackle; Bitty Ditty; Minor March; Changes; Stablemates; How Am I To Know/ Just Squeeze Me; There Is No Greater Love; The Theme; S'posin.
Jazz & Wine in Montalcino 2025
by Marco Iacoboni
Jazz & Wine in Montalcino 2025 Castello Poggio alle Mura; Fortezza Montalcino (SI) 22--27 luglio2025 Dal 22 al 27 luglio 2025, il maestoso Castello Poggio alle Mura e la storica Fortezza di Montalcino hanno ospitato la ventottesima edizione del Jazz & Wine in Montalcino. Organizzato dalla Fondazione Banfi, in collaborazione con ...
The Unlikely Story of Cannonball Adderley's Rise to the Top
by Alan Bryson
For me, the most gripping music stories are the tales of “overnight sensations." In the jazz sphere, we have our share. There is the story of an eighteen-year-old Billie Holiday, discovered by producer John Hammond while she was a hostess in a Harlem club. There is the tale of a seventeen-year-old Ella Fitzgerald, whose triumphant debut ...
R.I.P. Louis Moholo-Moholo
by Jerome Wilson
This program includes the work of the late drummer Louis Moholo-Moholo, the last surviving member of the South African group, the Blue Notes and a great contributor to the British jazz scene. The show also features music by Joe Lovano, John Yao, and Claire Ritter. Playlist Henry Threadgill Sextett “I Can't Wait Till I ...
Steve Millhouse: Looking Back to Today
by David A. Orthmann
In an era when athleticism, blatant egotism, and cacophony are all too common elements of jazz performance, it is refreshing to hear a record populated by players who exhibit give-and-take, musicality, and a willingness to listen and share sonic space. Six-string electric bassist Steve Millhouse's Looking Back to Today is a sterling example of a bass, ...
Backgrounder: Oscar Pettiford Orchestra (1956-57)
In February 1943, bassist Oscar Pettiford joined Charlie Parker and Dizzy Gillespie in a Chicago hotel room and jammed on Sweet Georgia Brown, which was captured on a private recording. This was before bebop was codified, and Parker and Gillespie were virtually unknown outside of the big bands they were in. By the end of 1943, ...
University of Nevada-Las Vegas: Let The Good Times Roll
by Jack Bowers
If energy and enthusiasm were enough to earn a prize, the University of Nevada Las Vegas Jazz Ensemble 1 would surely have one in hand to salute its newest album, Let the Good Times Roll, a textbook lesson in buoyant and heavy-duty big-band jazz. While co-directors Dave Loeb and Nathan Tanouye enlist no fewer than seven ...
Gravity and Resurgence: The Many Dimensions of Dexter Gordon
by Arthur R George
Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...
Rule of 3
by Patrick Burnette
Three hundred podcasts is the kind of milestone worthy of an echo chamber at the very least and a themed episode at the very, er, leaster. Pat had the bright idea (he thought) of reviewing albums from 1953, 1963. 1973, and 1983. Mike explained that was in fact a stupid idea and so they might as ...
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