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Pat Metheny
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Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.
Introducing Guitarist Ely Perlman
by Sanford Josephson
After graduating from Israel's Thelma Yellin High School for the Performing Arts about four years ago, guitarist Ely Perlman came to the United States to attend Boston's Berklee College of Music. The summer before school started, he went to the Jazz Aspen Snowmass Academy, a music education program in Aspen, CO, directed by bassist Christian McBride. ...
Pat Metheny & Brad Mehldau: Summer Day
by Geno Thackara
"Summer" is a frequent shorthand for “loud and bright," but the span of the day can include a whole lot of tones more subtle and colorful. This is the scene Pat Metheny and Brad Mehldau paint on this highlight of their mostly-duo debut recording (Nonesuch Records, 2006), weaving a broad palette of tones like a sky ...
Danny Widdicombe & Trichotomy: Iridescence
by Konstantin Rega
Insightful collaboration is at the heart of amazing jazz. Australian group Trichotomy joins with singer-songwriter Danny Widdicombe on Iridescence with conviction and conscientiousness. Jazz infused with roots and folk music makes this release something somewhat rare, featuring a variety of songs, from pure instrumentals to vocal tracks; these two artists achieve an amiable and inspired balance. ...
Steve Millhouse: Looking Back to Today
by David A. Orthmann
In an era when athleticism, blatant egotism, and cacophony are all too common elements of jazz performance, it is refreshing to hear a record populated by players who exhibit give-and-take, musicality, and a willingness to listen and share sonic space. Six-string electric bassist Steve Millhouse's Looking Back to Today is a sterling example of a bass, ...
Paolo Angeli: Su "Lema" E Molto Altro
by Libero Farnè
Non avevo intervistato Paolo Angeli dal febbraio 2007, quando il musicista sardo aveva già abbandonato la scena bolognese dove aveva maturato esperienze importanti e formative, di sicuro propedeutiche al raggiungimento della sua pienezza artistica. Da allora Angeli ha affrontato tante situazioni e collaborazioni musicali diverse, vedendo crescere la sua fama internazionale, grazie anche alla ...
Joel Grundahl, Jack Gardiner, Andy Timmons, David Binney, Donny McCaslin
by Len Davis
Turn it up and dive into fresh fusion sounds! Enjoy new music from Canadian guitarist Joel Grundahl, British shredder Jack Gardiner and Andy Timmons, and synth-driven grooves from Richard D Ruttenberg and bassist Jimmy Haslip. Explore bold and original jazz from saxophonist and composer David Binney with Tommy Crane, power house performances by Donny McCaslin, Tim ...
Pat Metheny at Sumida Triphony Hall
by Tomoyuki Kubo
Pat Metheny Sumida Triphony Hall Tokyo, Japan May 27 & 28, 2025 The announcement of Pat Metheny's 2025 Japan Solo Tour arrived unexpectedly, thrilling fans. The Dream Box Tour solo concerts, held across Japan from January to February 2024, marked a striking departure from Metheny's previous performances, leaving an ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
BEATrio at the Perry Pavilion
by Mark Robbins
Béla Fleck is a trailblazing banjo player whose genre-defying approach has redefined the possibilities of the instrument. Born in New York City in 1958 and named after the Hungarian composer Béla Bartók, he's spent his career weaving bluegrass, jazz, classical, and world music into dazzling sonic tapestries. Whether leading his groundbreaking group Béla Fleck and the ...
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