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Sonny Greer
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Despite the fact that he was an important member of one of the most famous bands in the history of jazz, and during its finest period, drummer Sonny Greer has not been especially well served by jazz historians. He was born William Alexander Greer on 13 December, probably in 1895, in Long Branch, New Jersey. It was in his home state that he made his first professional appearances but by 1919 he was playing in Washington, DC. It was there that he first encountered a local musician who was to change not only the drummer's life, but the lives of everyone who played in his band over the coming decades
Jack Chambers: Rethinking Duke Ellington
by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
The History of Jazz Drums: An Archival Treasure Rediscovered
by Hank Hehmsoth
In the vast landscape of jazz history, few archives offer the depth and insight found in The History of Jazz Drums--an extraordinary 8-part radio series recorded in 1989. Featuring compelling conversations between Mel Lewis (1929-1990), a master drummer whose swing propelled The Thad Jones-Mel Lewis Orchestra and Loren Schoenberg, senior scholar at the National Jazz Museum ...
The Duke Ellington Carnegie Hall Concerts: January 1943
by Chuck Lenatti
Duke Ellington was one of the most popular and successful jazz musicians of the first half of the 20th century and according to composer Gunther Schuller and musicologist and historian Barry Kernfeld, “the most significant composer of the genre." Radio broadcasts from his residency at New York's Cotton Club beginning in 1927 extended Ellington's ...
Brian Landrus: AGRA
by John Chacona
The palette of Duke Ellington, jazz's first notable colorist--and arguably its greatest--drew on a range of instrumental hues that might still be unmatched in jazz history. Picking one as the essential pigment in the Orchestra's sound is a fool's errand. But here goes: it was Harry Carney's baritone saxophone, without which the Ellington sonic signature is ...
John Engels: Looking Back, Moving Forward
by Joan Gannij
Drummer John Engels has the energy of two forty-year olds, which is pretty impressive, since he will soon be turning 80. He will celebrate this auspicious occasion with the Vogel Vrij (Free as a Bird) tour, a series of concerts at diverse venues throughout the Netherlands (with saxophonists Benny Golson and Benjamin Herman) which began in ...
A Great Day in Harlem: The Spirit Lives - 50 Years On
by Ian Patterson
This encore presentation from January 2009 celebrates Jean Bach, director of A Great Day in Harlem. Ms. Bach died on May 27th at her home in Manhattan. She was 94.It is probably the most celebrated ensemble jazz portrait of all time. Fifty-seven of the greatest jazz musicians gathered together on the steps of a ...
"Complete" Louis, Duke, Bessie and Charlie Boxes Coming in October
The ultimate year-round jazz festival of Legacy Recordings continues to set a new industry standard with four more Complete Album Collections from the Sony Music archives family of labels, by the greatest names in jazz and blues: LOUIS ARMSTRONG – THE COMPLETE OKeh COLUMBIA & RCA VICTOR RECORDINGS 1925-1933 (OKeh/Columbia/RCA/Legacy) 10 titles, 10 CDs; CHARLIE CHRISTIAN ...
Terell Stafford: This Side of Strayhorn
by Kevin Davis
The preservation of traditional values in jazz has long been at the core of the art form's most bittersweet dichotomy, which is essentially a spin on the age-old idea that even moderate-level progressions in any given field require ideological breakdowns that generally make everyone mad. Miles Davis, for example, decried this preservation outright, and the jazz ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
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