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Steve Swallow

Born:
Steve Swallow was born in New York City in 1940, and spent his childhood in Fair Lawn, New Jersey. Before turning to the acoustic bass at age 14, he studied piano (with Howard Kasschau, who also taught Nelson Riddle) and trumpet. His otherwise miserable adolescence was brightened by his discovery of jazz. He took many of his first stabs at improvisation with Ian Underwood (who subsequently became a Mother Of Invention and an L.A. studio ace), with whom he attended a swank New England private school. During his years at Yale University he studied composition with Donald Martino, and played dixieland with many of the greats, including Pee Wee Russell, Buck Clayton and Vic Dickenson
Floater & Syndrome The Upright Piano Sessions Revisited

By Paul Bley
Label: Ezz-thetics
Released: 2025
Track listing: When Will The Blues Leave;
Floater;
Stereophrenic;
The Circle With The Hole In The Middle;
Around Again;
Syndrome;
Cousins;
King Korn;
Vashkar;
Ballad No. 1;
Ballad No. 2;
Ballad No. 4;
Turns.
Jim Witzel Quartet: Very Early (Remembering Bill Evans)

by Troy Dostert
While tributes to pianist Bill Evans have certainly not been in short supply over the years, he has unsurprisingly been given far more attention by pianists than from other instrumentalists. Efforts from guitarists have been particularly rare. There are some noteworthy exceptions: John McLaughlin took a stab at it in 1993 with Time Remembered (Verve) alongside ...
John Taylor: Tramonto

by Neil Duggan
British pianist John Taylor (1942-2015) possessed a remarkable talent for eluding the global recognition his skills warranted. A former house pianist at London's Ronnie Scott's club, Taylor probably achieved his widest acclaim through Azimuth, the group he formed with vocalist Norma Winstone (his wife) and trumpeter Kenny Wheeler. His trio recordings with drummer Peter Erskine and ...
Vocals? Sorta

by Patrick Burnette
From time to time this august podcast discusses the jazz vocal arts and opinions are expressed. Heavy hitters like Sinatra, Fitzgerald, Vaughan, and Torme have all been inspected. For this episode, the boys venture to the odder corners of the jazz vocal realm, looking at projects where the vocalist isn't the only--or sometimes even the main--talent ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues

by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
The Music of Carla Bley: Late Carla, Part 4

by Larry Slater
Carla Bley's career spanned 60 years and included big band, small group, and a few duet recordings with her long time partner Steve Swallow. The music ranged from raucous free jazz to meditative chamber music. Her distinctive music never had a large following, which was just fine with her. In 2018 Carla was diagnosed with brain ...
Savina Yannatou: Letting the Voice Go Where It Goes

by Katchie Cartwright
Savina Yannatou flies through vast reaches of space and time as she works, like the swallows and warblers who traverse the Sahara, stopping in Greece on their annual pilgrimage to breeding grounds in the North, thousands of miles away. She is an artist beyond category," to borrow Duke Ellington's phrase, whose programs and performances combine Mediterranean ...
Stefano Tanzi: Wrong Together

by Konstantin Rega
Stefano Tanzi is an up-and-coming Italian guitarist with a knack for smooth playing. His debut as leader, Wrong Together, is essentially a tribute to jazz legend Steve Swallow, but it also communicates so much more. With the assistance of Emanuele di Teodoro on bass and Fabio Colella on drums, the trio works with sleek skill. The ...
Don Ellis: How Time Passes to Essence Revisited

by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di ...