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Tadd Dameron
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Tadd Dameron as a composer and arranger was the man who in the 1940s and ‘50s was among the first to use the sometimes raw and undisciplined devices of the then- new style of jazz called bebop in well-developed arrangements for big bands and small groups. Perhaps more than any other musician, Dameron added form to the then-emerging style of bop. Born in Cleveland in 1917, Dameron grew up with music all around him, his mother first taught him to play piano, "not to read, but by memory." But, it was Dameron’s older brother, Caesar, a saxophonist, who got his brother interested in jazz by listening to the records of the big bands of the 1930’s like Fletcher Henderson, Duke Ellington, and the Casa Loma band that was playing unique arrangements at the time. Cleveland jazz musician Andy Anderson said he first heard Dameron in the 1930s when Caesar brought his kid brother to a nightclub, and asked if the boy could sit in with the Snake White Band
Trio and Quintet
by C. Michael Bailey
Pianist and composer Elmo Hope has more in common with Tadd Dameron than most of his other jazz peers. Both men were primarily composers and arrangers who concentrated on their own music rather than standards. Both men spent their professional lives in New York City during the twilight of bebop and the flourishing of hard bop. ...
Sun Ra: Live at the left Bank, Lights on a Satellite
by Stefano Merighi
La seconda metà degli anni Settanta vede l'Arkestra di Sun Ra già in un momento di bilanci. Vent'anni di attività, una parabola virtuosa che congiunge inizi avventurosi, incompresi, a sviluppi ricchissimi di idee, che oltrepassano sia il post-swing degli esordi che il free radicale, per planare in quello stile composito e stratificato, totalmente personale, ...
Kevin Fort: Everything I Love
by Hrayr Attarian
Pianist Kevin Fort is a virtuoso improviser and an imaginative composer with a refreshingly novel style rooted firmly in the mainstream tradition. In addition to playing with several Chicago-area artists, Fort leads a cohesive trio that has created a unique, delightfully textured sound. It is mostly with this ensemble that he has recorded his four superb ...
Miles Okazaki and Bill Frisell at the Miller Theater
by Paul Reynolds
Miles Okazaki and Bill Frisell The Miller Theater, Columbia University New York, NY April 15, 2025 When musicians collaborate for the first time, the setlist usually settles around shared music they love and often play. For guitarists Bill Frisell and Miles Okazaki, in their debut as a duo on Tuesday, that ...
Kevin Fort: Everything I Love
by Dan McClenaghan
The ghosts of pianists past inhabit the music of Kevin Fort. The Chicago-based piano man's third album release, Everything I Love, keeps a grip on the tradition with an eye to right now on this ten-tune workout that includes five engaging Fort originals and and five well-chosen standards, incuding the Cole Porter title tune, the Rodgers ...
Tadd Dameron: Fontainebleau & Magic Touch Revisited
by Maurizio Zerbo
Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...
The Cinderella So Few Got to Hear: Late Artie Shaw is the Best Artie Shaw
by Richard J Salvucci
Artie Shaw will always be a bit of a puzzle to his fans--"morons, “ as he once characterized some of us. The best band he ever fronted, and said so more than once, was his 1949-50 “bop" band. Benny Goodman had a similar outfit around the same time, which, like Shaw's, featured excellent young musicians who ...
Paul Kendall: My Shining Hour
by Jack Bowers
If you were to randomly draw the names of “most charming and best-loved American popular standards" out of a hat, chances are you could not fare much better than Pennsylvania-based baritone saxophonist Paul Kendall has by design on My Shining Hour, a splendid album whose playlist encompasses no less than eight singular and seductive melodies from ...
Gravity and Resurgence: The Many Dimensions of Dexter Gordon
by Arthur R George
Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...
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