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John Ellis: Charm

by Doug Collette
Through the course of more than a half dozen albums under his own name, increasingly less traditional with each successive release including Dance Like there's No Tomorrow (Hyena, 2008) Puppet Mischief (Oblique Sound, 2010), saxophonist/composer John Ellis has developed and refined his own sound, particularly through his continued work with his band Double Wide. Charm further ...
Kim Simmonds and Savoy Brown: The Devil to Pay

by Doug Collette
John Mayall may remain the so-called 'Godfather of British Blues," but if that's so, then Kim Simmonds is certainly his consigliere. After all, Simmonds did mentor three members of Foghat, among other stalwarts of the the British blues boom of the late Sixties. And like Mayall, Simmonds has followed a similar path of regular touring and ...
David Browne: So Many Roads - The Life and Times of the Grateful Dead

by Doug Collette
So Many Roads: The Life and Times of the Grateful Dead David Browne 496 Pages ISBN: # 0306821702 Da Capo Press 2015 In the unusual way it mirrors the Grateful Dead's singular approach to improvisational music, David Browne's So Many Roads is unique in the extensive bibliography devoted ...
The Chris Robinson Brotherhood: Betty's Blends Volume Two - Best from the West

by Doug Collette
Even before the final fracture of the Black Crowes, the Chris Robinson Brotherhood proved their prolific nature and hearty work ethic. To date they've produced three studio albums, accompanied by regular roadwork, that's now given birth to two live collections in what looks to be a series of such titles under the aegis of Betty Cantor-Jackson, ...
Chick Corea & Bela Fleck: Two

by Doug Collette
The collaboration of pianist/composer Chick Corea and banjoist/composer Bela Fleck is a magnificent meeting of the minds, one as unlikely as jazz of any era is likely to see and hear. The ever-so-serious and often precious approach of the former is largely contrasted by the playful, though occasionally cute-to-a-fault latter, but the complementary nature of their ...
Jerry Garcia: Broadway: Act One: October 28th, 1987
by Doug Collette
The deliciously relaxed air of the music on these three discs belies the precision in the musicianship as much as it does the operations necessary for a two week run on a Broadway theater. And all this attention to detail, well-served as it is, gives the lie to the moment of serendipity from which it sprung:an ...
The Who Live at Shea Stadium 1982

by Doug Collette
The Who Live at Shea Stadium 1982 Eagle Vision 2015 It's equal parts courageous and foolish for The Who to release this document of their 'farewell' tour from over four decades ago as the group celebrates its fiftieth anniversary in 2015. Business enterprise aside, the band as it was constituted at ...
Rolling Stones: Sticky Fingers Deluxe Edition

by Doug Collette
In combination with the 2015 'Zip Code' tour, on which the band played the album in its entirety more than once, the reissue of the Rolling Stones' Sticky Fingers (Rolling Stones Records, 1971) is a valiant and fully-justified effort to restore the significance of the album, the importance of which has suffered over time in comparison ...
Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4

by Doug Collette
There's a theory a nascent jazzlover could build an estimable collection of the music simply by picking and choosing from the discography of Miles Davis and the various musicians with whom he's collaborated over the years. Likewise, the mercurial alterations of style enacted by the man with the horn reflect the evolution of the music itself, ...
Jimi Hendrix: Freedom-Atlanta Pop Festival

by Doug Collette
Jimi Hendrix' performance at the Woodstock Music and Arts Festival in Bethel, NY may be his most iconic single live performance, but as the conclusion of the August 1969 event, it was offered in front of approximately half the 300-400,000audience he faced at the Atlanta Pop Festival roughly a year later. Contained on two-disc ...