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Warne Marsh
Born:
Marsh came from an affluent background: his father was the cinematographer Oliver T. Marsh (1892-1941), and his mother Elizabeth was a violinist. Mae Marsh, the actress, was his aunt. He was tutored by Lennie Tristano, and along with Lee Konitz became one of the pre-eminent saxophonists of the Tristano- inspired "Cool School". He was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation, the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Daniel Casares: From a Cabin in the Woods
by Daniel Casares
The Autonomous Region of Galicia, Spain has been slowly nurturing a strong jazz scene in recent decades. The extremely accomplished Abe Rábade (piano) and Paco Charlín (bass) crossed the Atlantic Ocean over two decades ago to study at the prestigious Berklee College Of Music in Boston. Upon their return to Galicia they established the “Seminario Permanente ...
Matthias Van den Brande: Fields of Color
by Artur Moral
A non-harmonic quartet raises unexpected questions Can an essentially orthodox musical effort accurately reflect the most unconventional art? Is a concept album more attractive than others, simply by being one? Can a written review meaningfully convey insights about a score inspired by the creations of painter Mark Rothko, whose canvases, in turn, were conceived to express ...
Tadd Dameron: Fontainebleau & Magic Touch Revisited
by Maurizio Zerbo
Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...
Billy Hart: Just
by Jack Kenny
"Just" is an elegant album calculated to please. More than any earlier releases on ECM, it is Billy Hart's album, The quartet has been working together for over twenty years and has rightly morphed from a collective to the one steered by Hart. The drummer has supplied his sinewy rhythmic mastery to albums across the years ...
Saxophones: Warne Marsh, Sonny Rollins, and the Microscopic Septet
by Jerome Wilson
This show, from June 15, 2021, is an all saxophone (plus flute and clarinet) program. Players featured include Warne Marsh, Sonny Rollins, Frank Wright, Joe Henderson, and The Microscopic Septet. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) ...
Benjamin Lackner: Spindrift
by Jack Kenny
Benjamin Lackner has a vision and his album is a coherent statement of his ideas: a radical statement of lyricism, gentleness, restraint and understatement. It was a long-time dream. For some time, Benjamin Lackner has had a wish to record with ECM. In an interview, he outlined his attempts to produce music that would ...
Ornette Coleman: Free Jazz To Ornette! Revisited
by John Eyles
For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...
Gregorio / Smith / Bryerton: The Cold Arrow
by Mark Corroto
Maybe the surprise release of 2021 was the trio recording Room Of The Present (Fundacja S?uchaj!). Adventurous bassist Damon Smith and percussionist Jerome Bryerton have had a long working relationship as a duo, in various groups and settings, large and small. Adding the clarinetist and composer Guillermo Gregorio was quite the revelation. The trio is back ...
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