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Yusef Lateef
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Renaissance man Dr. Yusef Lateef was born William Emanuel Huddleston in Chattanooga, Tennessee on October 9th, 1920. At the age of 5 he moved with his family to Detroit. Growing up in Detroit he came in contact and forged friendships with many a giant of jazz such as Kenny Burrell, Milt Jackson, Tommy Flanagan, Barry Harris, Paul Chambers, and Donald Byrd. By the time he graduated from high school he was a proficient tenor saxophonist. He started soon after graduation playing professionally and touring with different swing orchestras among them those of Hot Lips Page, Roy Eldridge and Lucky Millender. In 1949 he joined Dizzy Gillespie’s orchestra (using the stage name William Evans), and stayed with them for one year
Exploration (Dominik Kisiel Exploration Quartet), Hank Mobley, Garaj Mahal, Wilton Felder and More
by David W. Daniels
Jazz classics by Milt Jackson, Abbey Lincoln, Woody Shaw, and more. Re-releases from Miles Davis and the Tommy Smith Quartet. New music from Mark Winkler, Nick Finzer, Paul Cornish, and more. This week's birthdays (8/31 through 9/6) include Horace Silver, Gerald Wilson, Teri Thornton, and more. Playlist Dominik Kisiel Exploration Quartet “Exploration" from Exploration ...
Exploration (Don Friedman Quartet), Classic Jazz from Miles Davis, Dinah Washington, Freddie Hubbard, Recent Jazz from Tina May, Dave Douglas, Michael Mayo, Birthday Music from Ike Quebec, Malachi Thompson, Vital Information, and more
by David W. Daniels
The program will feature classic jazz, current jazz that is in the tradition of classic jazz, jazz fusion, and music by local artists covering all forms of jazz. We do this in three segments, each an hour long: 1: Classic jazz; 2: Recent jazz that is in the tradition; and 3: Jazz musicians who had birthdays ...
Out from the Vaults
by Patrick Burnette
The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label “redundant" and an invite off the island (or, at least, out of the record collection)? ...
The Unlikely Story of Cannonball Adderley's Rise to the Top
by Alan Bryson
For me, the most gripping music stories are the tales of “overnight sensations." In the jazz sphere, we have our share. There is the story of an eighteen-year-old Billie Holiday, discovered by producer John Hammond while she was a hostess in a Harlem club. There is the tale of a seventeen-year-old Ella Fitzgerald, whose triumphant debut ...
Why Is Japan a Jazz Paradise? Part 2—From Sake to Soul: Jazz Musicians and Their Love for Japan
by Atzko Kohashi
Part 1 | Part 2 In May 2025 Japan welcomed an estimated 3.693 million visitors, marking a surge in global fascination with the country--up 125% (more than double!) compared to a decade ago. Many come for the exquisite Japanese cuisine, the tranquil atmosphere of temples and shrines, the ultra-modern buzz of Tokyo, or the ...
Roberto Magris, Claire Ritter, and Jessica Jones
by Jerome Wilson
This show features recent music from Roberto Magris. Claire Ritter, and Jessica Jones. It also contains older work from Yusef Lateef, Tomasz Stanko, and Dizzy Gillespie. It also has a tribute to the late Jesse Colin Young. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia ...
Greg Burk / Michel Lambert: Wind Forms
by Mark Corroto
"Music is at its best when it brings the human imagination to light." Pianist Greg Burk wrote these words inside the cover of his 2009 release, Many Worlds (482 Music). Throughout his career, his music has embodied this idea, and Wind Forms is no exception. That earlier release featured a quartet, including drummer Michel ...
Kenny Garrett Speaks Through The Soul of His Jazz
by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
Emad Armoush's Rayhan: Distilled Extractions
by Mark Corroto
Jazz and creative music have always resisted assimilation. By that, I mean jazz draws upon--or perhaps more accurately, appropriates--sounds, traditions and styles to create something entirely new. This has been true since New Orleans musicians blended Caribbean, French, African and Sicilian influences while performing on traditional marching band instruments. Over the century-plus since its inception, improvising ...
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