Home » Jazz Articles » Take Five With... » Take Five With Benjamin Drazen
Take Five With Benjamin Drazen

Benjamin Drazen is a native New Yorker, and grew up in Roslyn, NY. He got his frist great jazz saxophone education from the late great Dave Burns. (Dave was a master trumpeter with the

Dizzy Gillespie
trumpet1917 - 1993

Duke Ellington
piano1899 - 1974

Jimmy Giuffre
clarinet1921 - 2008

George Garzone
saxophone, tenorb.1950

John McNeil
trumpet
Cecil McBee
bassb.1935

Dave Liebman
saxophoneb.1946

Charlie Parker
saxophone, alto1920 - 1955

Cannonball Adderley
saxophone1928 - 1975

Sonny Rollins
saxophoneb.1930

John Coltrane
saxophone1926 - 1967
Instrument(s):
Alto, tenor and soprano saxophone.
Teachers and/or influences?
Teachers: Dave Burns, Danny Bank, George Garzone.
Influences: Charlie Parker, John Coltrane, Cannonball Adderley, Sonny Rollins,

Johnny Griffin
saxophone, tenor1928 - 2008

Clifford Brown
trumpetb.1930

Ornette Coleman
saxophone, alto1930 - 2015
I knew I wanted to be a musician when...
I heard my first Charlie Parker record. It blew my mind wide open, and I knew I wanted to express something similarly to Bird.
Your sound and approach to music:
As Bird once said, "There are many stories to be told in music." This has always been my approach. I want to tell a story, and leave the audience with a feeling that they experienced some aspect of my life, in a way that is common to their own experience.
Your teaching approach:
I try to focus on a student's sound. I believe once the student hears his or her own voice, they will more quickly be able to identify their own personal concept. Many players play similar ideas, but the ones who truly have their own sound and style are the ones we remember most.
Your dream band:

Jack DeJohnette
drumsb.1942

McCoy Tyner
piano1938 - 2020
Favorite venue:
55 Bar, in New York City.
Your favorite recording in your discography and why?
My debut CD, Inner Flights. I think I am able to express myself in my playing the most freely using my own music and band.
The first Jazz album I bought was:
Miles and Coltrane Live in Newport.
What do you think is the most important thing you are contributing musically?
Sense of freedom and emotional connection that I believe the audience can truly feel.
How would you describe the state of jazz today?
Jazz has come a long way. We are now in a phase of rhythmic exploration that is wonderful, however I would like to see a greater exploration of melody in today's jazz and compositions.
What are some of the essential requirements to keep jazz alive and growing?
In some way it must relate to our time. That doesn't mean playing covers of hip-hop or playing back beats, but rather creating music that is new and fresh. It's always a tricky balance since the past has such a huge influence on most of our playing.
What is in the near future?
I will be teaching at Poland's oldest jazz workshop, in Plway, this July. I am currently working on putting a tour together of Europe this fall as well.
Photo Credit
Courtesy of

Benjamin Drazen
saxophoneb.1972
Tags
Benjamin Drazen
Take Five With...
United States
Dizzy Gillespie
duke ellington
Jimmy Giuffre
George Garzone
John McNeil
cecil mcbee
Dave Liebman
Charlie Parker
Cannonball Adderley
Sonny Rollins
John Coltrane
Johnny Griffin
Clifford Brown
Ornette Coleman
Jack DeJohnette
McCoy Tyner
Robert Hurst
Comments
PREVIOUS / NEXT
Support All About Jazz
