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Take Five With Cecilia Wennerstrom

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By AAJ Staff
July 21, 2013
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Meet Cecilia Wennerstrom:

Cecilia Wennerstrom is a Swedish saxophonist who has received several awards by the Swedish Arts Grants Committee. During the '80s, she led the band Salamander and released several albums on Dragon Records. During the '90s, she led her own quartet and released records through Four Leaf Clover. Recently she formed Wela Records/Plugged.

Instrument(s):

Tenor and baritone saxophones, alto flute and flute.

Teachers and/or influences?

Ove Johansson

saxophone, tenor
1936 - 2015

" data-original-title="" title="">Ove Johansson,

Helge Albin

saxophone, alto
b.1941

" data-original-title="" title="">Helge Albin,

Nisse Sandstrom

b.1942

" data-original-title="" title="">Nisse Sandstrom,

Bernt Rosengren

woodwinds
b.1937

" data-original-title="" title="">Bernt Rosengren,

Joe Henderson

saxophone
1937 - 2001

" data-original-title="" title="">Joe Henderson, and others.

I knew I wanted to be a musician when...

An opportunity opened during the '70s in Sweden that allowed academic education for musicians other than classical music. Before that, I was singing and playing piano at jam sessions.

Your sound and approach to music:

My approach is mostly matter-of-fact, and my favorite saxophonist is

Joe Henderson

saxophone
1937 - 2001

" data-original-title="" title="">Joe Henderson. I have a small hidden anarchist inside so sometimes I play free jazz. My other favorite is

Evan Parker

saxophone, soprano
b.1944

" data-original-title="" title="">Evan Parker. I like rhythm and harmony. When I play free music I long for harmony and vice versa.

Your teaching approach:

I don't like to teach. I have too much trouble with my own playing and I am always searching for new ways. If If I were to teach again, I would stress the art of breathing.

Your dream band:

My ideal band is on my last CD:

Maria Kvist

piano

" data-original-title="" title="">Maria Kvist on piano,

Filip Augustson

bass, acoustic

" data-original-title="" title="">Filip Augustson on bass, and

Jonas Holgersson

" data-original-title="" title="">Jonas Holgersson on drums.

Road story: Your best or worst experience:

I entered a jam session at Northsea Jazz Festival around 1982 because a friend said that

Archie Shepp

saxophone, tenor
b.1937

" data-original-title="" title="">Archie Shepp would be in it. Although he wasn't on stage,

Benny Golson

saxophone, tenor
1929 - 2024

" data-original-title="" title="">Benny Golson introduced himself afterwards and so did several other musicians. This is a nice memory. At that time I wasn't musically ready for this challenge, it was more an act of adventure.

Your favorite recording in your discography and why?

My latest CD, Lydian Mars (Wela, 2011), is very good and it is all my own music. But I still think that Minor Stomp (Four Leaf Clover, 1997) is my best recording; on it, I play standards on baritone saxophone. I was tired of being put in a free jazz cupboard and being criticized for doing entertainment music. So I was determined to show that I could play the American songbook if I wanted to, which I did.

The first Jazz album I bought was:

I remember listening to "Trinkle Tinkle" by

Thelonious Monk

piano
1917 - 1982

" data-original-title="" title="">Thelonious Monk in the early '60s on an LP. I think my brother bought it. The song is still in my ears after all these years. I also recall hearing "Summertime," with

Ella Fitzgerald

vocals
1917 - 1996

" data-original-title="" title="">Ella Fitzgerald and

Louis Armstrong

trumpet and vocals
1901 - 1971

" data-original-title="" title="">Louis Armstrong, also on an LP.

Did you know...

I've written a fantasy story called Saga of Rim that is rather successful in Sweden, especially as an e-book. It is published in USA through Twilight Times Books.

Photo Credit

Courtesy of

Cecilia Wennerstrom

saxophone
b.1947

" data-original-title="" title="">Cecilia Wennerstrom

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