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Take Five With Nicky Schrire

London-born, South African-raised, New York-based vocalist/composer Nicky Schrire has been been praised for her abilit: to use her voice as "a dispensary of emotional power."? (Dan Bilawsky, All About Jazz).
A graduate of the Manhattan School of Music, Schrire has performed in New York, South Africa and London. Her debut album, Freedom Flight, has been hailed by critics as "an exceptional debut" (Steven Lewis, Hard bop Jazz Journal) and "a thrilling maiden voyage" (Andrea Canter, Jazz Police).
Instrument(s):
Voice.
Teachers and/or influences?
Teachers/mentors:

Peter Eldridge
vocals
Kate McGarry
vocals
Theo Bleckmann
vocals
Dominique Eade
vocalsb.1958

Norma Winstone
vocalsb.1941

Amy Cervini
vocalsb.1977
Influences:

Maria Pia De Vito
vocalsb.1960

Youn Sun Nah
vocals
Luciana Souza
vocals
Becca Stevens
vocals
Gretchen Parlato
vocals
Jo Lawry
vocals
Blossom Dearie
piano and vocals1926 - 2009
Your sound and approach to music:
My sound is constantly changing as I learn more about what I like and what I don't like. As I discover new music I'm able to broaden my capacity to hear new sounds and that allows me to grow and progress as a musician (and a person). At the moment, I'd describe my sound as a mishmash of jazz, pop and folk influences.
I think, more than anything, that music is supposed to make people feel something, anything (Preferably not aversion!). That's the best way to measure whether the music in question is "good." Does it make the audience and the musicians who are playing it feel something? We tend to get too caught up in labels and genre-specific requirements, and we forget that music is supposed to be fun, and elicit joy from listeners. It doesn't matter whether it's jazz, pop, folk, R&B or a film score. Does it affect you when you hear the music in question?
Your dream band:

Jim Black
drumsThere are millions of amazing musicians in the industry, but that doesn't mean there are millions of musicians I'd like to play with. It's so important to choose musicians that you get along with, socially, and who also share your musical aesthetic. That said, my ear gravitates towards pianists and I'd love to work with

Fred Hersch
pianob.1955

Brad Mehldau
pianob.1970

Neil Cowley
pianob.1972
The first Jazz album I bought was:
Verve's The Complete Ella Fitzgerald Songbooks box set. It was actually a gift from my mum but it introduced me to Ella, vocal jazz and had a huge influence on my interest in jazz. I can still sing along to the instrumental interludes, introductions and fills.
What do you think is the most important thing you are contributing musically?
I hope that I'm contributing something (maybe a knack for talking too much?) to the already remarkable pool of vocalists in New York City. And I like to think that my quest to be a musician as well as a singer (the two are not always one and the same, although they should be) will encourage other young singers to strive for the same ideal.
Did you know...
I was a saxophonist before I was a singer. The tenor saxophone introduced me to the world of jazz and allowed me to experience playing in big bands both in school and college (I was a double majorsaxophone and classical pianoin my first year at college). I played the tenor, baritone and soprano saxophones and doubled on clarinet and bass clarinet.
CDs you are listening to now:

Romain Collin
pianob.1979

Shawn Colvin
guitar and vocalsHow would you describe the state of jazz today?
Ever-changing. Challenging. Exciting.
What is in the near future?
I'm preparing for my debut gig in London (October 5, 2012 at "The Forge," with

Nikki Iles
piano- 2012
Dave Hamblett
drums
Photo Credit
Courtesy of

Nicky Schrire
vocalsTags
Nicky Schrire
Take Five With...
United States
Dan Bilawsky
Peter Eldridge
Kate McGarry
Theo Bleckmann
Dominique Eade
norma winstone
Amy Cervini
Maria Pia de Vito
Youn Sun Nah
Luciana Souza
Becca Stevens
Gretchen Parlato
Jo Lawry
Blossom Dearie
Jim Black
Fred Hersch
brad mehldau
Neil Cowley
Romain Collin
Shawn Colvin
Nikki Iles
Dave Hamblett
Ryan Trebilcock
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