" data-original-title="" title="">Christian Tamburr, a walk through the Grounds For Sculpture in Hamilton, New Jersey offered a world of sonic possibilities reflected in the bounties of natures and the wonders of Seward Johnson's craftsmanship. Creating physical splendor and a touch of the unexpected in statuary, Johnson, world-renowned for his bronze sculptures, aimed for his work to "disappear into the landscape and then take the viewer by surprise." These sculptures resonated with Tamburr, who, after receiving permission from Johnson, the grounds, and all parties involved, decided to create a soundtrack of sorts—"a new experiential dimension through music to accompany each sculpture..."—that connected directly to the physical presence of Johnson's creations while still leaving room for the viewer/listener to create their own interpretations on meaning and mass.

Composing ten works—each referencing a specific Johnson sculpture in name and tone—Tamburr cuts a broad swath with his pen. The motile machinations of the upbeat title track—one of three pieces featuring vocalist