Home » Jazz Articles » Album Review » Larry Willis: The Big Push

Larry Willis: The Big Push

By Michael P. Gladstone
April 21, 2006
View read count

Pianist Larry Willis has been on over 300 sideman sessions and led eighteen of his own albums since 1970, fifteen of them since 1989. Willis has been in involved in many sub-genres of jazz, largely in the earlier years including jazz-rock fusion and the avant-garde. He was the pianist for Blood Sweat & Tears in the early '70s, Sonny Fortune in the late '70s, and David "Fathead" Newman, Carla Bley and Nat Adderley in the '80s. His albums have appeared on Groove Merchant, Audioquest, Brunswick and Mapleshade.

In choosing a trio for The Big Push, Willis selected drummer Al Foster, his old student partner from the High School of Music & Art in Manhattan, and the in-demand bassist Buster Williams. The tunes are a combination of a few sturdy standards, two originals and jazz standards. Beginning with an untempo version of the Rodgers & Hammerstein classic "The Surrey with The Fringe on Top," Willis and company find out what makes its wheels turn; his tribute to former employer Nat Adderley is a poignant "Poppa Nat." Buster Williams steps in frequently to provide fine support for Willis, notably on the ballads and mid-tempo tracks; Al Foster supplies just the right touch for the cookers as well as the tastefulness needed on the ballads.

Learn more about our star rating system

Track Listing

The Surry With The Fringe On Top; Today's Night; The Day You Said Goodbye; Just Wait And See; Annika's Lullaby; I Have A Dream; Everything I Have Is Yours; The Big Push; Poppa Nat.

Personnel

Larry Willis

piano

Larry Willis: piano; Buster Williams: bass; Al Foster: drums.

Album information

Title: The Big Push | Year Released: 2006 | Record Label: HighNote Records

PREVIOUS / NEXT

Remember: A Tribute to Wes Montgomer...
< Previous

From Studio 4, Cologne, Germany
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.