Home » Jazz Articles » Live Review » The Pat Martino Quintet at Chris’ Jazz Café
The Pat Martino Quintet at Chris’ Jazz Café

Chris' Jazz Cafe
Philadelphia, PA
March 26, 2016
Legendary guitarist Pat Martino has traversed several musical landscapes in a career spanning more than five decades. He went from being a mind-blowing newcomer in the Harlem and soul blues jazz scene in the sixties to a major contributor to hard bop and fusion music in the seventies. Then, in 1980, brain surgery for an arteriovenous malformation (AVM) left him with profound memory loss, and only with diligent effort did he become able to play again. After being initially hesitant about performing, he went out into the clubs and made a few recordings. At a certain point, Martino regained his top form and brought his playing into the New Milennium with the groundbreaking album, Think Tank (Blue Note, 2004). Today he is performing everywhere on the planet, and his riveting style is as exciting as ever.
Once or twice a year, locals in his home town of Philadelphia, where he has a cadre of loyal followers, get to hear him at Chris' Jazz Café in the downtown area. They jam into the club to hear their friend Pat (who genuinely enjoys his fan base) charge up the place with his music, and he never disappoints. This reviewer shows up on these occasions with the same enthusiasm but also the specific intent to find out what Martino is up to musically Here and Now (the title of his recently published autobiography, Backbeat, 2011). On this occasion, what's new was obvious: the addition of horns to his well-honed Pat Martino Trio featuring organist

Pat Bianchi
organ, Hammond B3b.1975

Carmen Intorre
drums
Adam Niewood
saxophoneb.1977

Alex Norris
trumpetThe answer became clear as soon as they launched into Martino's original, "Draw Me Down," from his album Night Wings (Muse, 1996). It was as if Martino were trying to recapture some of the soulful "Gator Tail" feeling from his days with

Willis "Gator" Jackson
saxophone, tenor1932 - 1987
Martino's own "Inside Out" and "Dead Center" were suitable upbeat follow-ups, and gave all the musicians opportunities for solos where they could flash their goods. Norris pounded out phrases in a way that had the punch of swing era trumpet combined with the sophistication of bebop and hard bop. He clearly emphasized the components of the mainstream, while Niewood was able to provide more subtle inflections and nuances. Bianchi was stronger than ever, and it didn't do any harm that he played the Hammond B-3 rather than the more modest keyboards he sometimes uses on gigs. Martino -what can you say? -was Martino!
For a ballad, the trio minus the horns surprisingly chose

Charles Mingus
bass, acoustic1922 - 1979
The full quintet concluded the set with Martino's "The Great Stream," a great tune from the 1970s that was part of Martino's transition from soul blues to hard bop and the mainstream. The group fully developed the improvisational implications of the tune, with classy solos by everyone, followed by trading eights. It was like going from Harlem to Greenwich Village on the "A Train." Niewood's solo was especially inventive and modernist, adding a special flavor to the group.
The core trio (Martino, Bianchi, Intorre) has been playing gigs and on tour for a few years now, and they have developed into a crack unit that performed at their best on this evening. Bianchi, a rare case of a modest and musically thoughtful organist, literally let all the stops out like

Jack McDuff
organ, Hammond B31926 - 2001
Personnel: Pat Martino, guitar; Adam Niewood, tenor sax; Alex Norris, trumpet; Pat Bianchi, Hammond B3 organ; Carmen Intorre, drums.
Set List: (All compositions by Martino except where noted.) Draw Me Down; Inside Out; Dead Center; Duke Ellington's Sound of Love (Charles Mingus); The Great Stream.
Photo Credit: Victor L. Schermer
Tags
Pat Martino
Live Reviews
Victor L. Schermer
United States
Pennsylvania
Philadelphia
Pat Bianchi
Carmen Intorre
Adam Niewood
Alex Norris
Willis Jackson
Charles Mingus
Jack McDuff
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