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Richard Bona: The Ten Shades of Blues

By David Miller
November 11, 2009
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Widely known in jazz circles for his virtuosity on the bass, relatively little attention has been paid to Richard Bona's solo career. Pity, as his solo records are generally excellent. Bona's records have a style that can only be referred to as world music. Generally, that term is misused, but Bona truly takes his influences from all over the world. Sure, he's Cameroonian, and his heritage plays a large role. But one can also hear overt references to jazz, bluegrass, blues, European pop and much, much more in Bona's music. This adds a sense of unpredictability to his work—it's impossible to know what to expect and so just about anything is possible.

Bona's The Ten Shades of Blues continues in the same vein. There are references to India, Africa, and good ol' down home Americana, all interpreted with Bona's natural flair and effervescent smile. As on most of his other solo work, the multitalented Bona is everywhere and plays almost everything. The album opens with "Take One," a choral masterpiece—except all of the voices are Bona's. "Shiva Mantra" follows, and here Bona is credited with lead and background vocals, bass, keyboards, guitars and percussion. Somehow, on this track, Bona manages to be at the forefront of the background, keeping the music grounded in jazz and African traditions while being overtly Indian. It's Indian religious music—with a kickin' bass line.

The special guests on the album also leave their imprint. "Shiva Mantra" works due to the powerful vocals of Shankar Mahadevan (

John McLaughlin

guitar
b.1942

" data-original-title="" title="">John McLaughlin's Remember Shakti) and Nandini Srikar, as well as Niladiri Kumar's tasteful sitar. "Good Times" is a showcase for R&B vocalist

Frank McComb

vocals
b.1970

" data-original-title="" title="">Frank McComb and harmonica master

Gregoire Maret

harmonica
b.1975

" data-original-title="" title="">Gregoire Maret. Ryan Cavanaugh, Bona's compatriot in

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans' Soulgrass ensemble, joins in on banjo along with fiddler

Christian Howes

violin
b.1972

" data-original-title="" title="">Christian Howes on "African Cowboy," a rootsy bluesgrass mélange.

"M'Bemba Mama" is a highlight. A simple ballad, Bona's light yet powerful voice fits perfectly, with

Jean-Michel Pilc

piano
b.1960

" data-original-title="" title="">Jean-Michel Pilc's piano and

Sylvain Luc

guitar

" data-original-title="" title="">Sylvain Luc's guitars providing beautiful counterpoint. While lighthearted, "M'Bemba Mama" is bubbling with emotion. Bona's vocal incorporates just the slightest bit of longing while managing to stay positive.

Bona is certainly a talent deserving wider recognition. His considerable musicianship speaks for itself, and his passion for music is evident in all of his work, whether as a sideman or a leader. The Ten Shades of Blues continues his excellent solo work, joining the likes of Scenes from My Life and Tiki as essential.

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Track Listing

Take One; Shiva Mantra; Good Times; M'Bemba Mama; Kurumalete; Souleymane; African Cowboy; Esukudu; Yara's Blues; Sona Moyo; Camer Secrets

Personnel

Richard Bona

bass, electric

Rochard Bona: vocals, bass, keyboards, guitars, drums, percussion, mandolin, samples; Shankar Mahadevan: vocals; Nandini Srikar: vocals; Vivek Rajgopalan: mridangam, ganjira, konnakol; Satyajit Talwalkar: tabla, konnakol; Niladiri Kumar: sitar; Bob Reynolds: saxophone; Michael Rodrigues: trumpet; Marshall Gilkes: trombone; Frank McComb: vocals; Obed Calvaire: drums; Gregoire Maret: harmonica; Sylvain Luc: guitars; Jean-Michel Pilk: piano; Christian Howes: fiddle; Bailo Baa: fula flute; Jojo Kuoh: drums; Ryan Cavanaugh: banjo; Bert Van den Brink: hammond organ

Album information

Title: The Ten Shades of Blues | Year Released: 2009 | Record Label: Wrasse Records

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Richard Bona Concerts

Oct 29 Wed

Richard Bona Group Feat. Kornel Mogyoro

Eiffel M?helyház
Budapest, Hungary

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