There's a wealth of information to be found inside the beautiful packaging that accompanies this release, but a brief Theodore Roosevelt quote may be the most telling piece of text to be found there. It reads: "There is nothing more practical in the end than the preservation of beauty, than the preservation of anything that appeals to the higher emotions in mankind." That really says it all about this artist and her work, for there is nobody more capable of harnessing emotions in music and projecting and preserving the beauty and power of the natural world in sound than Maria Schneider. She's demonstrated that time and again, and she does it once more on this awe-inspiring release.

The Thompson Fields arrives after a lengthy gestation: eight years after the last Maria Schneider Orchestra album—the stunning Sky Blue (ArtistShare, 2007). But if it takes Schneider that long to give proper birth to this quality of recorded music, so be it. You can't rush perfection, and this music is as close as you can get to that lofty and unattainable goal. Across these eight tracks, the Maria Schneider Orchestra puts ornithological ideals into play ("Arbiters Of Evolution"), works with nebulous themes and foreboding thoughts ("Nimbus"), takes a trip into Brazilian territory ("Lembranca"), pays tribute to one of its own dearly departed members ("A Potter's Song"), and bottles the attractively complex lingering scents of nostalgia and sentimentality.

As always, the singular personalities in this band help to elevate the music.