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Berta Moreno Afro-Jazz Soul Project: Tumaini

By Troy Dostert
June 11, 2021
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Berta Moreno Afro-Jazz Soul Project: Tumaini

Tenor saxophonist Berta Moreno released her promising debut, Little Steps, in 2017. It signaled her debt to forbears such as

Wayne Shorter

saxophone
1933 - 2023

" data-original-title="" title="">Wayne Shorter and

" data-original-title="" title="">Joe Henderson, and displayed an impressive command of bop language. Tumaini, her engaging follow-up, moves in a rather different direction. Time well-spent in Kenya gave Moreno a wider focus for her compositions, as she adroitly melds jazz, R&B and Afro-Latin idioms into an enjoyable musical synthesis.

"Tumaini" is a Swahili word for "hope," and there is indeed a buoyant spirit that carries the album from the opener, "Karibu," onward. Moreno is helped by percussionist

Franco Pinna

percussion

" data-original-title="" title="">Franco Pinna, whose contributions enliven the ten cuts, electric bassist

Maksim Perepelica

bass
b.1985

" data-original-title="" title="">Maksim Perepelica and drummer

Raphaël Pannier

drums

" data-original-title="" title="">Rapha?l Pannier who together exhibit a slinky smoothness that belies the sophistication of the music. And pianist

Manuel Valera

piano
b.1980

" data-original-title="" title="">Manuel Valera, who appeared on Little Steps, is back to contribute his trademark impassioned flourishes. But Guinea-Bissau vocalist

Alana Sinkëy

vocals

" data-original-title="" title="">Alana Sink?y may be the most essential component here, as her nimble stylistic range allows her to move from the pop-jazz of "Beauty of the Slum" and "Mandhari" to the tracks more heavily indebted to African forms—such as the Afrobeat-centered "Afrika" and the rhythmically shape-shifting "Karibu."

Moreno ably displayed her formidable chops on her debut, so she has less to prove here. She is content to let the music develop without the need to turn the album into a blowing session. Fortunately, the band possesses the innate chemistry that gives life to pieces such as "Kutembea," with its subtle Afro-Cuban flavor, and "Hope," a well-crafted tune that floats along on a sturdy yet supple foundation, inspiring Moreno's most memorable solo turn on the album, both lyrical and emotionally charged.

Moreno revealed herself to be a more than capable interpreter of the mainstream jazz tradition on her debut, so it is to her credit that she has let her creative impulses roam toward the African continent on Tumaini. It is anyone's guess where she will venture next, but the results should be rewarding.

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Track Listing

Karibu; Afrika; The Beauty of the Slum; Dance; Mandhari I; Mandhari II; Hope Intro; Hope; Christine; Kutembea.

Personnel

Berta Moreno

saxophone, tenor

Manuel Valera

piano

Maksim Perepelica

bass

Rapha?l Pannier

drums

Franco Pinna

percussion

Alana Sink?y

vocals

Album information

Title: Tumaini | Year Released: 2021 | Record Label: Tiger Turn Records

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