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Luis Bonilla: Twilight
ByTwilight, on the other hand, is a well-balanced feast for the aural senses. The majority of the personnel from his prior recording is kept intactthe only major roster shift coming at piano, with

Bruce Barth
pianob.1958

Arturo O'Farrill
pianob.1960

Ivan Renta
saxophoneb.1980
The other material is a mixed bag of styles, with different intentions and ideas at play. The dramatic, momentary tempo shifts on "Vertigo" are seamless and impressive. Riley's stripper shuffle on "Cork Grease," along with Barth's organ sounds, give the music a barroom blues tint. The drummer's slow swing gait, shifting between measures of four and five, is a treat on "Double Trouble," and Barth slips some blues-drenched licks in between horn statements. Reverence and soul meet head-to-head on "Let It Be Said," with Barth providing a gentle, church-inspired bed of sounds beneath some trombone playing that defines grace and gentility. Renta's work is sleek and soulful, without being clichéd. "Visions" might begin with an eerie, foreign presence and chilling wind, but the horn players heat things up, with guest French Hornist

Vincent Chancey
french hornTwililight is the dawn of a new day for trombonist Luis Bonilla. ">
Track Listing
Twilight; The Moon And The Sun; Double Trouble; Vertigo; Blind Faith; Let It Be Said; Visions; Cork Grease.
Personnel
Luis Bonilla
tromboneLuis Bonilla: trombone; Ivan Renta: tenor saxophone; Bruce Barth: acoustic piano, fender rhodes, hammond C3; Andy McKee: acoustic bass; John Riley: drums, percussion; Vincent Chancey: french horn (7).
Album information
Title: Twilight | Year Released: 2010 | Record Label: Planet Arts Records
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