Home » Jazz Articles » Multiple Reviews » Two by One For All
Two by One For All
By ![]() | ![]() |
One For All Incorrigible Jazz Legacy 2010 | One For All Return of the Lineup Sharp Nine 2009 |
One For All is a collective of hard bop/straight-ahead players who have busy careers as leaders and sidemen, yet enjoy the time they are able to spend together, whether working on a new CD or performing around the New York City club scene. The core group had its origins at Auggie's (now Smoke) in 1986, where drummer

Joe Farnsworth
drumsb.1968

Eric Alexander
saxophone, tenorb.1968

Jim Rotondi
trumpet1962 - 2024

Steve Davis
tromboneb.1967

David Hazeltine
pianob.1958
Most of Incorrigible is devoted to originals, excepting Richard Rodgers-Lorenz Hart's "Bewitched, Bothered and Bewildered," long a favorite of jazz musicians. But instead of treating this standard as a straight-ahead ballad, the group reharmonizes it, shifting from a loping introductory tempo to breezy hard bop, highlighted by smoldering tenor and energized trumpet. But the originals prove to be just as potent. The tenorist's title track is full of twists and rewarding solos by each frontline member. Hazeltine's Latin-flavored "Petite Ange" has an understated swagger while his slow but subtle "Blues For Jose" showcases blues-drenched solos by Davis, Rotondi and Alexander though the pianist loosens things up with his playful bop line. Davis contributed the gospel-flavored shuffle "So Soon," an extended workout that would have fit Art Blakey's repertoire (no surprise, since Davis was a member of the drummer's final band), and his modal piece "Spirit Waltz" bristles with energy. Rotondi switches to flugelhorn for his ballad "Voice," a moving salute to the late Freddie Hubbard, The trumpeter's infectious "Back to Back" is full of rich harmonies and would get any nightclub audience on its feet.
The group's previous disc Return of the Lineup is also a strong session. Two familiar pieces are included. Alexander extends John Coltrane's well-known arrangement of the standard "But Not For Me," conjuring a bit of the late tenor saxophonist in his solo and Rotondi's gorgeous setting of Cedar Walton's ballad "Dear Ruth" features his rich flugelhorn. Among the originals, Hazeltine's exuberant "Treatise for Reedus" honors drummer Tony Reedus (who died unexpectedly a short time prior to this record date), featuring the composer's intricate solo and Rotondi's sizzling muted trumpet. The pianist's "Blues For JW" is a snappy bop vehicle that almost has to be in honor of the late pianist/composer James Williams (who was Reedus' uncle and died unexpectedly in 2004 after a short bout with liver cancer). Rotondi's tense "Jackpipe" would have been welcome in the height of the hard bop era, a stimulating chart that provokes invigorating solos all around. There is more than a share of Latin-tinged pieces, too. Davis' "Silver and Cedar" honors two jazz piano greats while Alexander's "Road to Marostica" has a hip AfroCuban vibe blended with hard bop.
Tracks and Personnel
Incorrigible
Tracks: Bewitched, Bothered and Bewildered; Petite Ange; Voice; Incorrigible; Blues for Jose; Spirit Waltz; Back to Back; So Soon.
Personnel: Eric Alexander: tenor saxophone; Jim Rotondi: trumpet, flugelhorn; Steve Davis: trombone; David Hazeltine: piano; John Webber: bass; Joe Farnsworth: drums.
Return of the Lineup
Tracks: Jackpipe; But Not For Me; Silver and Cedar; Treatise For Reedus; Dear Ruth; Forty-Four; Road to Marostica; Blues For JW.
Personnel: Eric Alexander: tenor saxophone; Jim Rotondi: trumpet, flugelhorn; Steve Davis: trombone; David Hazeltine: piano; John Webber: bass; Joe Farnsworth: drums.
Tags
Comments
About One for All
Instrument: Band / ensemble / orchestra
PREVIOUS / NEXT
Support All About Jazz

Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
New York City
Concert Guide | Venue Guide | Local Businesses
| More...
